Set in 1973 and inspired by true events, ‘Wild About Harry’ follows the havoc wreaked in a teen girl’s life when she discovers that her widowed father is gay. Alternately comic and tragic and anchored by an impressive ensemble cast, the film captures both the freedoms and the homophobia of the time – all set against the backdrop of small town America on Cape Cod. British widower Harry Goodhart decides to make a fresh start and moves with his teenage daughters to Cape Cod in 1973. But Harry can’t leave behind the secret that threatens to tear his family apart. Adjusting to their new lives proves difficult for the girls when they discover that the connection between their dad and his partner is more than just a working relationship.
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Even with Christmas around the corner, for the Buckley boys, payback almost always wins out over brotherly love. That is until the four brothers join forces against a common adversary–the Hagbarts, the meanest bullies at their middle school. But now Mom has decided that the Buckley family is going to Elve the Hagbarts this year for Christmas. Eleven-year-old Matthew can hardly stand it. By day the Hagbarts torture the Buckley brothers into submission, and by night the Buckleys secretly deliver Christmas treats and gifts to their sworn enemies. Soon the war of wits escalates to an incredible scheme designed to get the ultimate revenge on the Hagbarts. But now that Matthew has been learning that he’s supposed to be good to those who hate him, what will he do when a little push becomes a great big shove?
Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.
1902….the Australian Federation is a year old. Twelve year-old Tom’s father, Nat, has dragged him and his sister, Sarah, to an isolated farm at the edge of the woods. But Nat’s dream of living off the land has died and he is losing his grip on sanity. When three ex-soldiers arrive at their cabin one night Tom, like his father, believes they are providence.
Jojo, a Filipino artist in Paris who has had many lovers, but constantly finds himself desperate to fill the chasm in his life occupied by the mysterious muse of his paintings. For years, his heart is held captive by a woman with no name and no history. Like a compass, Jojo looks for her in every girl he meets, hoping she will be “the one.” One day, a woman named Marie, walks up to Jojo and claims to be the subject of his paintings.
The new owner of a supposedly haunted New Orleans plantation manor uncovers a shocking secret that has been hidden for over 100 years.
Michael and Robert, two gay men living in Brooklyn, spend their last day together before Robert leaves for Africa on work assignment. Michael still has feelings for his friend Nick, who has AIDS.
Christine is an ambitious 29-year-old news reporter, in Sarasota, FL, circa 1974. Relentlessly motivated to succeed, she knows she has talent, but being a driven career woman in the 1970s comes with its own challenges, especially when competition for a promotion, unrequited love for a coworker and a tumultuous home life lead to a dissolution of self. With ratings in the cellar, the station manager issues a mandate to deliver juicier and more exploitative stories, a story firmly at odds with Christine’s serious brand of issue-based journalism. To accomplish her goals, she must overcome her self-doubt and give the people what they want.
Following the death of their friend, two girls in their late twenties embark on a road trip to spread his ashes. Seph and Alex take turns driving. Dan is in the glove compartment, in tupperware, decreasing in volume as the trip progresses.
A film about the black-and-white era actress Lída Baarová and her doomed love affair.
