Eight erotic vignettes with Christmas themes involving Playboy Playmates.

That’s Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan’s heartfelt and passionate defense of an art form.

A meditation on the elemental bonds of family told through portraits of four Syrian families in the aftermath of war.

In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.

Remember Baghdad is the untold story of Iraq, an unmissable insight into how the country developed through the eyes of the Jews, Iraq’s first wave of refugees.

How US politicians and diplomats, over the past 25 years, have come close to achieving something almost impossible: securing peace between the State of Israel and its Arab and like-minded neighbors, mired in a struggle both dialectical and violent since the early 20th century, due to historical and religious reasons, entrenched offenses and prejudices, and the invisible and tyrannical hand of third countries’ geopolitical interests in the area.

A documentary that profiles the life and work of artist Shepard Fairey. We follow his roots through punk rock and skateboarding to his creation of the iconic Obama HOPE poster, and the controversy that surrounds it.

The fears and resiliencies within a group of teenage refugees from Ukraine are uncovered in this film that brings the camera steps away from the front lines to the Ukraine-Poland border.

A surprisingly candid behind-the-scenes account of the career of Ken Loach, one of Britain’s most celebrated and controversial filmmakers, as he prepares to release his final major film I, Daniel Blake.

Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.

In 1985, 46 music icons, including Lionel Richie, Michael Jackson, Bruce Springsteen, Cyndi Lauper, Diana Ross, and Stevie Wonder, came together for the most star-studded recording session in history. This is the untold story of the legendary global pop song “We Are the World” — which very nearly didn’t happen.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”