The second film of Frank Capra’s Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.
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This 2006 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness, and how it manifested itself in demonic self-obsession.
It combines visual effects, daring stunts, underwater photography and a shockingly bold visual style. It is an ode to all things we love about skateboarding. The film follows a day in the life of Gino Iannucci and his friends as they skate the streets of Los Angeles, turning each neighborhood into a unique playground. During an epic backyard pool session, Gino’s world is turned upside down when a skating accident sends him off into a surreal dream where nothing is as it seems.
In 1985, a powerful new kind of computer was born. It was 10 years ahead of its time, and ready to take on Microsoft, IBM and Apple for control of the PC market. The Amiga computer revolutionized video, multimedia and digital art, with Andy Warhol being a big advocate. It was also known for being a fantastic video games machine. Despite the computer’s manufacturer going bankrupt in early 1990’s, the Amiga has a huge cult following worldwide to this day. This film documents the rise and fall of the Amiga in the marketplace, and gives an inside look at the passionate and eccentric community that surrounds it.
Videograms of a Revolution is a 1992 documentary film compiled by Harun Farocki and Andrei Ujică from over 125 hours of amateur footage, news footage, and excerpts from the Bucharest TV studio overtaken by demonstrators as part of the December 1989 Romanian Revolution.
Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author’s most autobiographical novel, David Copperfield, Armando looks beyond Dickens – the national institution – and instead explores the qualities of Dickens’s work that still make him one of the best British writers. While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth. Armando argues that Dickens’s remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.
A pipe-wielding masked killer stalks a runner but is too out of shape to catch him, so the runner decides to train him into shape.
Steve McQueen: The Man & Le Mans interweaves stunning newly discovered footage and voice recordings with original interviews. It is the true story of how a cinema legend would risk almost everything in pursuit of his dream.
Edith Han was an young woman that was studying law in Vienna when the German forced Edith and her mother into a Jewish ghetto.
When it comes to ‘what Mother Nature intended’, it turns out she was pretty open-minded. In this vivid, funny and eye-opening one-off doc we take the audience on a journey to explore the rich diversity of animal sexuality.
When the horrific murder of nine Black churchgoers in Charleston, South Carolina in 2015 sparks a national reckoning around the meaning of the Confederate flag, battle lines are drawn in Mississippi to determine the fate of the last state flag to include the most powerful, and divisive, symbol of our fractured history. In Look Away, Look Away, director Patrick O’Connor introduces us to an array of activists, and captures the fierce five-year battle over the Mississippi state flag, revealing how race, heritage and long-simmering grievances over the Civil War shapes our sense of who we are as Americans.
