When a college piano prodigy tries to check his mother into rehab, he is taken hostage by her drug dealer and swept along on a wild adventure.
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When Chelsea Simms, the good-hearted brand strategist for the popular dating app The Nice List, discovers the app has granted her magical powers, she uses her newfound ability to make all of the naughty people in her life learn how to be good again.
The film wryly expresses the changes in hierarchy, caste and the power equation when water, the most important resource, vanishes and how the oppressed become the oppressors. The story is told through two villages which were split based on caste and money but never through water. In the current situation, through reversals of fortune, the old world order has been broken and water becomes the biggest game changer. It has a domino effect on everything from social order to economics, even love and marriage. The film takes a satirical look at respect for resources, caste divides, and rural life against the backdrop of a traditional love story but all set in a realm where water is the new currency.
When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her daughters. Never one to give up hope, Ella’s fortunes begin to change after meeting a dashing stranger in the woods.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
Y2K is approaching fast, but Abbie can’t get off the couch until he beats an unbeatable level on Pac-Man.
Don Wallace, a student at the boarding school Slaughterhouse, faces the arcane rules of the establishment when a new threat emerges and the tenants of the school engage in a bloody battle for survival.
Chester Wooley (Lou Costello) and Duke Egan (Bud Abbott) are traveling salesmen who make a stopover in Wagon Gap, Montana while enroute to California. During the stopover, a notorious criminal, Fred Hawkins, is murdered, and the two are charged with the crime.
Thirteen years ago, Aiden Ashley’s world was torn apart after an online stalker followed her into the real world and broke into the Ashley family home to claim the object of his desire. The resulting night of terror ended with the murders of both Aiden’s mother and father. The stalker escaped the scene without Aiden seeing his face; he is gone without a trace, an unknown man, a murderer now watching Aiden’s every move. To escape this danger Aiden spends the next 13 years offline, in therapy and secluded anonymity. Who should Aiden trust in a web of deception where no one may be who they seem? There is nowhere for Aiden to hide when someone wants to love her to death.
Jack Shepard is an out-of-shape auto shop owner, far removed from the man who once protected the world’s freedom. Reluctantly called back into action by the government, Jack is tasked with turning a ragtag group of kids with special powers into a new generation of superheroes to save the world from certain destruction.
After an atomic war Phillip Hammer and Marlowe Chandler have spent 15 years on their own in an bunker, stuffed with junk from the 40s and old detective novels. Now, 19 years old, they leave their shelter to find a world full of mutants, freaks and cannibals. They become famous detectives in the struggle for the two keys that could fire the last nuclear weapon.
In the Philippine remake of the 2014 South Korean film of the same name, an elderly woman in her 70s suddenly finds herself to be in her 20s after having her picture taken in a mysterious photo studio.
