Christmas designer Leslie Major (Brely Evans) is the biggest fan of Christmas ever. She is like a tidal wave of Yuletide cheer. Her biggest job every year is decorating the lobby of the famed Chesterton Hotel. As she is on a ladder decorating the tree, she falls into the arms of Edmund James (Andra Fuller) – the grandson of the owner JJ James. Edmund is all business and thinks Christmas is superficial and frivolous.

Hasmukh Gandhi has a simple philosophy: enjoy and let enjoy. But his stress-free life is interrupted when his daughter, Tanisha comes home with her boyfriend, Montu. While everyone in the Gandhi family has fallen for Montu’s charm, Hasmukh sees him for the trickster he is. Not wanting his daughter to be entrapped, Hasmukh has found the perfect boy for her; one who is not only trustworthy, but also someone he knows will take care of her. The trouble is no one approves of his choice.

Six vignettes pit an assortment of characters against each other in everyday situations.

A mother intends to relocate Grandpa’s grave from the countryside to the city, where he could be re-buried with Grandma. However, her decision sparkles a conflict with Nana, Grandpa’s first wife. Nana is childless, and all she has is her husband’s grave. As a result, she fights flat out to stop Mother moving the grave. At first, Weiwei, caught between her mother and Nana, is turning the fight over the grave into a story on television, but after having spent time with Nana, she learns a new understanding of life. In the end, these three women of different generations, each facing her own problems in her love life, follow their hearts and make their decisions, which result in an unexpected ending to the incident.

A teenaged girl and her father are living their lives in a crashed spaceship, separated by a pane of glass. She begins to receive static-crackled radio messages from her mother, whom she long believed to be dead.

Black is an adaptation of Helen Keller’s autobiography. Black revolves around a blind and deaf girl, and her relationship with her teacher who himself later develops Alzheimer’s disease.

A woman unable to conceive a child with her husband, despite years of trying, makes the drunken mistake of sleeping with a young stranger. The stranger then goes to terrifying lengths to prove his paternity.

Two cops and a detective’s daughter go after a chainsaw killer.

Zombillenium, the Halloween theme park, happens to be the one place on earth where real monsters can hide in plain sight. When Hector, a human, threatens to disclose the true identity of his employees, the Vampire Park Manager has no other choice but to hire him. To see his daughter, Hector must escape from his Zombies and Werewolves coworkers.

In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached  manner leads to one mistake after another.

“STATISTICS” tells the story of six individuals who all share one thing in common: they will become statistics by the end of the day. They are neither heroes nor criminals, but everyday people who will become victims of everyday life. The events that take place will be read about today and forgotten tomorrow, but in that blink-of-an-eye, their lives and the lives of the people around them will be changed forever. It happens every day. Despite the tragedies, this is not a story about dying, but is in fact a very uplifting story about living. The message is simple: cherish life today because no one is guaranteed a tomorrow.

A woman finds romance during a kite festival.