Who Wants to Live Forever, the Wisdom of Aging is a one hour documentary film about the myths, facts and contradictions in the never-ending battle for both longevity and healthy aging.
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Nicu, a homeless street kid, is adopted by the notorious ‘Bruce Lee’ and brought up in the subterranean tunnels of Bucharest. As he grows up, he begins to realise that this ‘King of the Underworld’ may not be the father that he needs. Filmed over five years by photographer Joost Vandebrug, the film is a real life Oliver Twist story about growing up, and finding a family.
Serving life in prison for murdering their parents, Lyle and Erik Menendez speak out in this documentary explaining the shocking crime and ensuring trials.
A team of young black Slam Poets stake their reputations on the risk of telling hard truths as they compete for the National Championship during the racially-charged summer of 2016.
From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.
With more than 300 hours of film shot during the 2010 Tour, ‘No Room for Rockstars’ documents the true stories of modern era rock and roll . From the kids traveling cross country in a van playing parking lots to gain notice, to the veteran stage manager whose life was saved by the Tour, to the musician who crosses over to mainstream success while on the road.
Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.
I’m in the South of France. My base? The high-tech testing ground for Formula One Circuit Paul Ricard. My mission? To find find my favourite car of the year. There’s a pair of Ferraris, the V12, 6.3 litre FF and the 458. There’s the UK challenger to the 458, McLaren’s MP4-12C. The latest gizmo-laden Nissan GTR, Porsche’s GT2 RS, the 570-horsepower Lamborghini Performante and the fun BMW 1M. Helping me are The Stig and Formula One new boy, Karun Chandhok. I look into the future, in the shape of the hybrid-engined Mugen Honda CR-Z, And there are blasts from the past as well. The beautiful Eagle Speedster a modern twist on the iconic, timeless E-Type, with its 4.7 litre engine and an eye-watering £500,000 price tag. And there’s the all new Jensen Interceptor R with its 6.2 litre Corvette motor. The mighty Brutus, a vintage car fitted with a flame-spitting BMW airplane engine. Also the single-seater, B.A.C. Mono – capable of 0-60 in 2.8 seconds. What more could you want?…
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The pride of Napoleon’s victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before “packaging”, which teems with anecdotes and unsuspected details.
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki’s shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
After former Afghan refugee and photographer, Muzafar Ali, discovers that Afghans have been an integral part of Australia for over 160 years, he begins to photograph their descendants in a search to define his own Afghan-Australian identity. The Cameleer Descendants are a mix of Aboriginal, Afghan and Colonial Australian and as Muzafar meets and connects with the resilient but traumatised community he learns about his new country’s complicated history. His journey is interrupted when Afghanistan is handed back to the Taliban by the US and International Forces, and he races to help his friends and colleagues left behind.