Sören Mårtensson is a middle school teacher. His classroom occupied by half-grown children. His work is tormenting him and at night he is haunted by nightmares.
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George W. Bush picks Dick Cheney, the CEO of Halliburton Co., to be his Republican running mate in the 2000 presidential election. No stranger to politics, Cheney’s impressive résumé includes stints as White House chief of staff, House Minority Whip and defense secretary. When Bush wins by a narrow margin, Cheney begins to use his newfound power to help reshape the country and the world.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Woo-chul used to be a successful boxer, but he had to go to prison because his opponent died in the middle of a match. Now that he’s been released, he intends to become a model citizen. Meanwhile, his friend Do-shik will do whatever it takes to get ahead. After choosing different paths, they will be forced to plot against and betray one another.
Nineteen-year-old Vera Kall cycles home through the night. She arrives at a farm, leaves her bike and sneaks quietly in through the door. She enters the kitchen and doesn’t even have time to notice that she’s not alone.
The film follows the lives of Eddy, Jite and Osiano, three ambitious young men in their late twenties struggling to make it in life. Tired of being looked down upon, they embark on a relentless quest for the high life, chasing easy money, fast cars, and fame; willing to do whatever it takes no matter what it costs them.
Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.
Seventeen-year-old Stella spends most of her time in the hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control — all of which get put to the test when she meets Will, an impossibly charming teen who has the same illness.
A gang of women wreak vengeance upon the society that failed them.
A troubled ex-con joins the colorful crew of an old movie theater and begins to rebuild his life, only to find his faith in God tested when he learns the theater he has grown to love is not what it seems.
