Based on the writer/director’s childhood, FARMING tells the story of a young Nigerian boy, ‘farmed out’ by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

In a film based on actual events, teenagers Nathan Leopold Jr. (Craig Chester) and Richard Loeb (Daniel Schlachet) share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy. When the body is found, all evidence leads to Nathan and Richard, whose strange relationship makes the case one of the most talked-about trials of the 1920s.

After his family is brutally murdered for an unknown reason, a computer engineer sets out to find those responsible.

Two teens facing personal struggles form a powerful bond as they embark on a cathartic journey chronicling the wonders of Indiana.

A rather dull minded bank robber suddenly suffers from a change of heart and decides to give the money back. However, he then learns that getting the money back into the bank is much more difficult than taking it out.

Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor’s life in gradually unsettling ways. Soon, the full scope of Martin’s intent becomes menacingly clear when he confronts Steven with a long-forgotten transgression that will shatter his domestic bliss forever.

Jocelyn’s boyfriend is perfect–except for his dangerous identical twin brother, Derek, who just escaped from a mental institution. When Derek unspools a twisted plan of revenge with Jocelyn in his crosshairs, her mother Ashley must act fast before she falls victim to a psychopath.

The dangerous streets of the west side of Chicago get even crazier with a new serial killer on the loose. Anyone who steps in the way of the Jackson Strangler ends up as the next victim.

Jorge de Oliveira is an Afro-Brazilian poet who works in a publicity agency in São Paulo. Torn between his rich white lovers and his black family and friends, Jorge’s situation serves as a springboard to a discussion about racial issues in Brazil.

Novella McClure is like most struggling actresses in Los Angeles: she’s in her early 30s, her fake name sounded cooler ten years ago, and she hasn’t landed a role in three years. To top it all off, she’s developed a disturbing habit of eating her own flesh. Novella desperately tries to hide her strange condition from her motherly landlord, Eesha, and somewhat psychopathic best friend, Candice, but her body and mind continue to deteriorate in the depressing world of failed auditions and sketchy night clubs. Can a romantic relationship with her psychiatrist prevent her from self destruction? Or will her fatal habit continue to eat away at her?

When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada’s corpse, and the odd caravan sets out on horseback for Mexico.

Mira lives for the sport of ice hockey and leads her team as captain with a strong determination. It’s a challenge to reconcile this with her role in the family vineyard: with her mother and her adventurous but increasingly demented grandfather, she runs the farm – with all its responsibilities. The new player Theresa completely unsettles her with her nonchalance and openness. And when Mira’s missing brother Paul also turns up and all three get lost in late-night Vienna, Mira discovers the freedom it means to break rules, to reinvent herself – and that you can only love if you let go.