Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.
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With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.
A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.
At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who’s being transported to face trial for murder.
Wes Rawlins is considered one of the best bounty hunters in the West. His life changes when he finds out that his mother is dead and the man responsible is still at large. Wes believes that his long lost father Ray Eastman is responsible and sets out to find him seeking revenge…
When John Mason’s father is killed, John is wounded. Attracted to his nurse Alice, a conflict arises between him and his friend Ben who plans to marry Alice. John later finds the killer of his father but goes to face him not knowing Ben has removed the bullets from his gun.
Clark Davis (Wes Brown) adventurous dreams of seeing the world are put into jeopardy after he and a friend start a fight which damages a local cafe. Through a plea deal with the Sheriff (Jere Burns) and café owner Millie (Nancy McKeon), Clark works off his sentence as a farmhand for the Barlow sisters, Ellen (Julie Mond) and Cassie (Abigail Mavity). Older sister Ellen doesnt understand Cassies friendly nature with Clark; she agreed to the Sheriffs offer only because the farm has become too much to maintain alone. Clark is slowing winning Ellen over, but suddenly suffers a traumatic head injury in a fall. After Ellen nurses him back to health, her former fiancé returns to win her back. Will Clark travel on or stay behind where love begins?
A Native American Civil War hero returns home to fight for his people.
Ross Bodine and Frank Post are cowhands on Walt Buckman’s R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he’s too old to cowboy. Post is young and rambunctious and ambitious for a better life than wrangling cows. When one of their fellow cowboys is killed in a corral accident, Post suggests a way into a better life for himself and his friend: robbing a bank. Bodine reluctantly joins in the plan and the two contrive to rob the local bank. They make good their escape initially, but Walt Buckman and his two sons, John and Paul, are incensed at this betrayal by their own trusted employees. John and Paul set out to bring Bodine and Post to justice.
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