Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.
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A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
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Clark Davis (Wes Brown) adventurous dreams of seeing the world are put into jeopardy after he and a friend start a fight which damages a local cafe. Through a plea deal with the Sheriff (Jere Burns) and café owner Millie (Nancy McKeon), Clark works off his sentence as a farmhand for the Barlow sisters, Ellen (Julie Mond) and Cassie (Abigail Mavity). Older sister Ellen doesnt understand Cassies friendly nature with Clark; she agreed to the Sheriffs offer only because the farm has become too much to maintain alone. Clark is slowing winning Ellen over, but suddenly suffers a traumatic head injury in a fall. After Ellen nurses him back to health, her former fiancé returns to win her back. Will Clark travel on or stay behind where love begins?
A Native American Civil War hero returns home to fight for his people.
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