A houseguest at an upper-class gathering, wealthy Jew Ferdinand de Levis, is robbed of £1,000 with evidence pointing towards the guilt of another guest, Captain Dancy. Instead of supporting De Levis, the host attempts to hush the matter up and when this fails, he sides with Dancy and subtly tries to destroy de Levis’ reputation. When Dancy is later exposed, and commits suicide, de Levis is blamed for his demise.

Young Kinu Yamabe is drawn to low-born Onimaru, who is vital and charismatic, but viewed by his father as a demon. After her first period, Kinu suffers the fate of any women born near the Sacred Mountain: she must leave the Mountain and serve as a priestess.

Cultural critic David Kepesh finds his life — which he indicates is a state of “emancipated manhood” — thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.

La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.

Upon turning eight-teen, Salih leaves the orphanage to find his lost family and begins working in a Serbian farm. Suddenly, at the most unexpected moment he has found a home. Will he ever be able to let go of the ghosts of his past and be happy in this new life? As tension escalates disquieting secrets surface. A gripping tale of family, love and identity, My Mother’s Wound follows Salih as he searches for a trail of hope amongst war-torn lives.

A young painter stumbles upon an assortment of odd characters at an English estate where he has been hired to give art lessons to beautiful Laura Fairlie. Among them are Anne Catherick, a strange young woman dressed in white whom he meets in the forest and who bears a striking resemblance to Laura; cunning Count Fosco, who hopes to obtain an inheritance for nobleman Sir Percival Glyde, whom he plans to have Laura marry; Mr. Fairlie, a hypochondriac who can’t stand to have anyone make the slightest noise; and eccentric Countess Fosco who has her own dark secret. The artist also finds himself drawn to Marion Halcomb, a distant relation to Laura for whom the Count also has plans.

In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter’s hearts, they think only of getting the water.

Inspired by the life of a fearless young officer who made history by becoming the first Indian female Air Force officer to fly in a combat zone during the 1999 Kargil War

The Truth About Charlie is a 2002 remake of the 1963 film Charade (which starred Cary Grant and Audrey Hepburn). It is also an homage to François Truffaut’s Shoot the Piano Player and that film’s star Charles Aznavour appeared as himself and sang his song “Quand tu m’aimes” (English version).

Anna learns in prison that her mother has passed away in Seattle. Prison officials grants Anna a three day furlough to attend her mother’s funeral. Anna embarks on a long trip to Seattle. Hoon is a Korean immigrant who works as a gigolo. Hoon is now on the run from a wealthy client’s furious husband. These two seemingly lost souls are about to share three memorable days together.

A powerful London theater critic becomes entangled in a web of deceit and murder.

An alcoholic spends all his time spying on his neighbor, waiting for the right moment to kill him.