A turbulent newsroom drama that intimately chronicles the working days of broadcast journalist Ravish Kumar as he navigates a spiraling world of truth and disinformation.
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Documentary: A single girl in an yearns for marriage and motherhood.
In response to a wave of discriminatory anti-LGBTQ laws and the divisive 2016 election, the San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South.
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
From his years as a student in England to his return to India and his involvement in the Indian independence struggle, the journey of freedom fighter and reformer Vinayak Damodar Savarkar, better known as Veer Savarkar.
To celebrate the 100th anniversary of the birth of the surreal art movement, comedian Jim Moir (a.k.a. Vic Reeves) presents this documentary exploring the history of Dadism and the lasting influence it has had on himself and others.
A story of soul searching, science, nature and creativity, InnSæi takes us on a global journey to uncover the art of connecting within in today’s world of distraction and stress.
In June 2002, Elizabeth Ann Smart (Alana Boden) was a 14-year-old girl when she was abducted from her Salt Lake City home by religious fanatic Brian David Mitchell (Skeet Ulrich). He brought her to a hilly encampment where, with his twisted accomplice Wanda Barzee (Deirdre Lovejoy), he held Elizabeth captive. She was starved, drugged, raped and subjected to bizarre religious rituals until, nine months later, she enabled her own rescue.
Afghanistan’s film history might well have have been lost forever, if not for the brave custodians who risked their lives to conceal films from the Taliban regime. This is a chronicle of their attempts to preserve and restore thousands of hours of film.
In 2014, the authorities in Flint, Michigan chose to cut costs and change the city’s domestic water supply from the great Lakes to the Flint River. Soon tap water was running brown, people were falling ill and it was clear that something was seriously wrong. Anthony Baxter (You’ve Been Trumped) has followed the situation over six years of denial, evasion, betrayal and hypocrisy in which the city’s poorest residents have suffered the most. The result is shocking and sad as it illuminates the inequalities of the modern world and celebrates the solidarity of ordinary people.
People who knew R. perceived her as a happy woman. A woman from Brno in her thirties who moved to Sweden together with her Slovak husband, psychiatrist Ivan. In their new home country, the young couple bought a house and had two children. It seemed that R.’s life would continue in a predictable way. As a distraction from the routine, she chose an unusual hobby. She created a male alter-ego and started writing novels for LGBTQ+ audiences. R. was happy but felt empty on the inside. She could only fill it by living out her true self. Things started speeding up and R. began changing. R. is now Marvin. And Marvin is a man.
“Stink!” opens with a foul smell and a pair of kids pajamas. And a single father trying to find out what that smell could possibly be. But instead of getting a straight answer, director Jon Whelan stumbles on an even bigger issue in America, which is that some products on our store shelves are not safe — by design. Entertaining, enlightening, and at times almost absurd, “Stink!” takes you on a madcap journey from the retailer to the laboratory, through corporate boardrooms, down back alleys, and into the halls of Congress. Follow Whelan as he clashes with political and corporate operatives all trying to protect the darkest secrets of the chemical industry. You won’t like what you smell.
THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.