Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against the resistance of her family. Her struggle initiates a dynamic, which results in a life-threatening situation.
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A BELFAST STORY explores life after terrorism. Set in a city which has weathered hundreds of years of hatred, 30 years of bombs, and a war without winners, just victims. A new era brings new risks. There is peace, but that can also be deadly.
After World War II Larry learns that his flying buddy Mike will only live a short time despite the efforts of the doctors. He takes on a profitable flying job for profiteers Maris to finance a good time for his buddy. As the plane takes off he shoves Maris’ secretary Susan on board. When Mike falls for her, Larry tells her to play along for Mike’s sake. She, of course, falls for Larry.
Smooth advertising executive David is in a relationship with yoga teacher Juliette. Then his eye is caught by Sophie, the girlfriend of his best friend Wim, a fashion photographer. Things get completely out of hand during a campaign for augmented reality-glasses, for which David designs an avatar of the coveted Sophie.
At the beginning of the 20th Century, Egon Schiele is one of the most provocative artists in Vienna. His life and work are driven by beautiful women and an era that is coming to an end. Two women will have a lasting impact on him – his sister and first muse Gerti, and 17-year-old Wally, arguably Schiele’s one true love, immortalized in his famous painting ‘Death and the Maiden’. Schiele’s radical paintings scandalize Viennese society while daring artists like Gustav Klimt and art agents alike are sensing the exceptional. But Egon Schiele is also prepared to go beyond his own pain and to sacrifice love and life for his art.
Single mother Elaine is disturbed by her son Martin’s aggressive behaviour, she visits his late father’s estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son’s future.
Can scandalous art still serve God? Does suffering precede all greatness? Can illness be a blessing? In 1950, writer Flannery O’Connor visits her mother Regina in Georgia when she is diagnosed with lupus at twenty-four years old. Struggling with the same disease that took her father’s life when she was a child and desperate to make her mark as a great writer, this crisis pitches her imagination into a feverish exploration of belief.
A quiet young boy struggling with the loss of his parents and the broken relationship with his older sister, finds comfort in the friendship of a giant that lives in the forest near his home.
During the Great Depression, Kate (Greer Robson) is a 13-year-old girl living on New Zealand’s South Island. When her mother dies and her father is offered a job in Wellington on North Island, Kate is sent to live with an aunt. The girl runs away to find her father, hopping onto a boxcar and befriending a fellow fugitive, Patrick (Peter Phelps), an emotionally battle-scarred WWI veteran fleeing the authorities after injuring a repo man. Pretending to be father and daughter, Patrick and Kate use each other for cover as they make their way across New Zealand, sleeping under the stars and championing the rights of destitute farmers and homeless squatters whose fortunes have been wiped out by economic hardship.
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.
Desperate, broke, and out of ideas, four college seniors start a fake charity to embezzle money for tuition.
