A stripped-down account of a young man’s existential reckoning. “As dust hides a mirror, lust hides the self,” reads one of the film’s Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist’s inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.
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Adi (40), a shy and introverted anthropologist who got recently dumped by his girlfriend, moves to Ferentari, most notorious outcasted neighborhood in Bucharest. He wants to write a study on manele music. The pop music of the Roma community serves as a way out for some, but mostly as one more means for the mafia pimps to make money off their acts and keep them in slave-like dependency. While researching his subject, Adi meets Alberto, a Roma ex-convict and a bear of a man, who promises Adi to help him. Soon, the unlikely pair begins a playful romance in which Adi feeds Alberto with improbable plans of escaping poverty and Alberto reciprocates with well-concocted phrases of love. Little by little their casual affair grows into love. And the funny and sweet teasing turns into something precarious, since Alberto is both dangerous and fragile and belongs to a world whose codes Adi doesn’t understand.
Born in a small town in Japan, a young girl named Ai is sent to a cult commune by her religious maniac mother and lives there for seven long years. After the cult is exposed by the police, Ai starts a new stage of life, going to a normal school for the first time, but she can’t find her place to fit in there. Ai drops out from the school and society, spending her life living with a rock-bottom delinquent family full of gangsters and call girls. In a strange twist of fate she finds herself back in a new and normal life, living with a middle-class family, but her troubled life continues to follow her into more deep and seedy paths.
