The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

This documentary feature pulls back the curtain on the world of ‘working class’ rappers. The film spotlights independent artists struggling to find a balance between making a living and pursuing their art alongside the never-ending saga of age and relevance. Weaved together through a series of 30 plus interviews that are devoid of the ego so common in the business of music, especially hip-hop, the film traverses the country (USA) to explore the myths and misconceptions of life as a full-time rapper.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book “Come As You Are: The Story of Nirvana.” In the film, Kurt Cobain recounts his own life – from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame – and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood. Written by AJ Schnack

A documentary about the rise of anti-Semitism in the USA after the terrorist attacks of September 11, 2001.

Examine one of sports’ biggest steroid scandals via interviews with the head of BALCO lab, athletes suspected of using performance-enhancing drugs and more.

Presents Gordon Parks’ photo-essay “A Harlem Family”, framed by a filmed segment featuring Parks and the Fontanelle family and narrated by Parks.

Showgirls of Penthouse

Joel Gilbert’s directing style is on full display here with a vapid look at how Donald Trump dominated the 2016 race, using The Art of the Insult to brand political opponents and bash the media all the way to the White House.

Criminologist Prof David Wilson conducts a series of interviews with convicted murderer Bert Spencer, the man suspected of – yet never charged with – killing paperboy Carl Bridgewater in 1978

Charts the descent into madness of veteran foreign correspondent Malcolm Brabant after a routine yellow fever vaccine for an assignment in Africa.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

Diabetes. Prostate cancer. Alcoholism. Parkinson’s diseases. Just a handful of many common illnesses that Western medicine has been inadequate in curing or treating. Witness the story of eight brave souls as they leave the developed world behind in search of deeper answers. Living in seclusion for one month in the heart of the Amazon jungle, these men and women take part in the powerful healing practices of Peru’s indigenous medicine men, working with centuries-old plant remedies and spiritual disciplines. In their most desperate hour, these patients are forced to confront not only their physical ailments, but their own spiritual and psychological barriers in the process. Five will return with real results, two will return disappointed, and one won’t come back at all.