What Richard Did is a striking portrait of the fall of a Dublin golden-boy and high school rugby star whose world unravels one summer night.
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A suburban housewife learns that she has psychic connections to a serial killer, and can predict this person’s motives through her dreams.
In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.
Laurel Canyon focuses on Sam and Alex, a pair of upper-middle class lovebirds from the East Coast who relocate to Los Angeles. Enter Jane, Sam’s estranged mother, a successful record producer, who’s more than willing to put the couple up in her lavish digs. As Sam and Alex settle in at Jane’s, they gradually lose their straight-and-narrow approach to life and begin to experiment.
A touching mother-daughter relationship that reflects the modern South Africa.
Based on the novel by Truman Capote, this often-witty coming-of-age drama looks at a young man growing up with an unusual family in the Deep South in the 1940s. Becoming an orphan in 1935, Collin moves to his dad’s cousins Verena and Dolly. Verena is a rich, bossy businesswoman. Dolly, Collin and the maid revolt, moving to a tree house.
Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love. Based on the same novel as “Dangerous Liaisons.”
Beijing, 1902: an enterprising young portrait photographer named Liu Jinglun, keen on new technology, befriends a newly-arrived Englishman who’s brought projector, camera, and Lumière-brothers’ shorts to open the Shadow Magic theater. Liu’s work with Wallace brings him conflict with tradition and his father’s authority, complicated by his falling in love with Ling, daughter of Lord Tan, star of Beijing’s traditional opera. Liu sees movies as his chance to become wealthy and worthy of Ling. When the Shadow Magic pair are invited to show the films to the Empress Dowager, things look good. But, is disaster in the script? And, can movies preserve tradition even as they bring change?
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A nine-year-old boy gets a plastic Indian and a cupboard for his birthday and finds himself involved in adventure when the Indian comes to life and befriends him.