Three best friends explore the world of online swipe dating in Los Angeles and quickly find out that anyone who judges you based on your salary or number of social media followers is someone who has their own soul-searching to do.
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In this irreverent comedy, a failed actor-turned-worse-high-school-drama-teacher rallies his Tucson, AZ students as he conceives and stages politically incorrect musical sequel to Shakespeare’s Hamlet.
Pacific Coast Academy alumni return to Malibu for an over-the-top wedding that turns into a high school reunion for the books.
In the follow-up to his first EPIX comedy special Please Be Offended, caustic comedian Jim Norton continues to push every hot button he can find… all in the name of a good laugh, of course. With his trademark self-deprecating brand of humor, Norton outrageously covers a wide range of topics that somehow all lead back to sex.
In The Secret Lives of Dorks, Payton (Gaelan Connell) is a pathetic dork, a comic book geek whose high school career is one hopeless faux pas after another. Yet he’s a dreamer and madly in love with the head cheerleader Carrie (Riley Voelkel), who he is determined to win over. But she is wise to his desperate advances, so to get off his radar she creates a plan to push him into the arms of a dorkette at the school, Samantha (Vanessa Marano).
As a construction manager, drinking is more of a normality for Mark than not drinking. In addition to his work on construction sites, during business dinners and sprawling Berlin party nights, there is always a reason for him to fully indulge in alcohol intoxication. When he tries to drive his car out of a no-parking zone in a drunken stupor one night, he is promptly checked and immediately loses his driver’s license. For Mark, this is reason enough to make a bet with his best friend Nadim: He wants to manage not to touch any alcohol until he has his driver’s license again.
‘Teen Kanya’ is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author’s centenary. The title means “Three Daughters”, and the film’s original Indian release contained three stories, with three central female characters linking the stories together. ‘The Postmaster’ concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. ‘Monihara’ is a supernatural tale about a woman obsessed with the jewels her husband buys for her. ‘Samapti’ follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include ‘Monihara’, and was released as ‘Dui Kanya’, or “Two Daughters”. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.
An aspiring hair dresser becomes the infatuation of a tricophilic man who sells hair extensions to nearby hair salons. The source of the hair is the corpse of a girl whose dead body continues to grow beautiful, voluminous, black hair that comes alive, driving those who use the extensions insane or killing them.
A proud son hires a documentary filmmaker to immortalise his father’s legacy. Tensions flare up between filmmaker and subject-and a rookie cameraman is caught in the cross fire-as the three travel across France unearthing family secrets.
Ti, a really poor construction worker that struggles to keep his son, Dicky, in private school, mistakes an orb he finds in a junkjard for a toy which proves to be much, much more once the young boy starts to play with it.
In a remote village in South India, three generations of sons react to the death of Century Gowda, their grandfather, a 101-year-old man. The three story lines intertwine before converging at Century Gowda’s “Thithi”, the final funeral celebration eleven days after a death.
