Dissipated Tokyo playwright, Kosuke has retreated to the countryside after deciding that he’s done with women, but the indefatigable cat-in-heat Shiori has other ideas, clinging to Kosuke like his shadow.
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On a foggy day, Julia’s six-year-old son Jens is called missing. Despite a thorough search, the boy is never found. Twenty years later, Julia’s father receives one of the shoes Jens was wearing the day he disappeared. Who sent it? Why? Is the boy still alive? This inexplicable act suddenly awakens a hope in Julia that she might see her son again… or that she could find his body and murderer. As she returns to her father’s island, she hears stories of the mythical Nils Kant – a murderer who once was the terror of the island. He is dead and buried for years, long before Julia’s son disappeared. But Julia’s father uncovers that his death and burial were only a fake. While on his tracks, Julia accepts the help and love of Lennart, a local police inspector. His dark and mysterious past brings him a lot closer to Jens’s disappearance that she might think…
Zohre’s shoes are gone; her older brother Ali lost them. They are poor, there are no shoes for Zohre until they come up with an idea: they will share one pair of shoes, Ali’s. School awaits…
Poland, 1945. Mathilde, a young French Red Cross doctor, is on a mission to help the war survivors. When a nun seeks for her help, she is brought to a convent where several pregnant sisters are hiding, unable to reconcile their faith with their pregnancy. Mathilde becomes their only hope.
A talented art student named Angélique is passionately in love with Dr. Loïc Le Garrec, a handsome married man whom she believes will leave his wife. When he eventually decides to stay in his marriage, it causes Angélique to spiral. However, as the story shifts from Angélique’s perspective to Loïc’s, the surprising truth about their relationship is revealed.
Adapted by Antony Sher from If This Is a Man (1947) by Primo Levi, it is a monologue told as a memoir by an older Primo looking back at his life in Auschwitz.
An innocent woman falls prey to her abusive husband, his wealthy father and a shady family friend.
The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.
Frank’s had enough. A spirit medium whose unique and grotesque method of channeling the dead is putting his own life at risk, he wants out. But others, in this world and the next, have plans of their own. Part body horror, part crime thriller, part ghost story, The Stomach is a unique tale of Supernatural Noir.
A group of drag-racing fanatics, members of a Los Angeles club, move into an old deserted mansion and set up shop, making it their headquarters. They hold a Halloween masked ball for the club’s grand opening, and invite everyone to come dressed as their favorite monster! Oddly enough, the festivities turn sour when one of the bright youths discovers an impostor among them in the form of an honest-to-gosh live monster who’s been hogging all the dances with the best-looking girls
