An examination of a failure of justice in Arkansas. The documentary tells the hitherto unknown story behind an extraordinary and desperate fight to bring the truth to light. Told and made by those who lived it, the filmmakers’ unprecedented access to the inner workings of the defense, allows the film to show the investigation, research and appeals process in a way that has never been seen before; revealing shocking and disturbing new information about a case that still haunts the American South.
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Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
A laborer moves to Shanghai in the hope of becoming rich. But ends up using his kung fu skills to survive. Remake of The Boxer From Shantung.
Based on the bestselling novel by Donato Carrisi, THE GIRL IN THE FOG is a gripping and chilling thriller that brings us to a hazy mountain village where enigmatic Detective Vogel is investigating on the sudden disappearance of fifteen-year-old Anna Lou. But with the case at the heart of a media storm, the fine line between the police and criminals begins to blur and soon everyone becomes a suspect.
Kyle Fisher has one last night to celebrate life as a single man before marrying Laura, so he sets out to Vegas with four of his best buddies. But a drug and alcohol filled night on the town with a stripper who goes all the way, turns into a cold night in the desert with shovels when the stripper goes all the way into a body bag after dying in their bathroom. And that’s just the first of the bodies to pile up before Kyle can walk down the aisle…
Maverick. Auteur. Rebel. Innovator. Storyteller. Rambler. Gambler. Mad man. Family man. Director. Artist. Robert Altman’s life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. “Altman”, Canadian director Ron Mann’s new documentary, explores and celebrates the epic fifty-year redemptive journey of one of the most important and influential filmmakers in the history of the medium. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Mann’s Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
Jack Whitehall takes the stage at London’s O2 Arena to riff on dogs, drinking, dining alone, and finally deciding to settle down and become a father.
Woo-chul used to be a successful boxer, but he had to go to prison because his opponent died in the middle of a match. Now that he’s been released, he intends to become a model citizen. Meanwhile, his friend Do-shik will do whatever it takes to get ahead. After choosing different paths, they will be forced to plot against and betray one another.
