Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.
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Ex-gangster Charlie Thompson returns to London after the tragic death of his young nephew Danny which he believes to have been caused by the same callous hands that killed his brother George many years ago. Taking the law into his own hands Charlie meets up with former acquaintances ready to settle old scores and save his last remaining nephew Frankie the last of the Thompson bloodline. However, Charlie has been out the game for a while and he soon realizes that a lot has changed.
Meredith Rossman is the uptight heiress of Rossman’s Department store. She has made the business her entire life, not leaving any time for Christmas or romance, much to the chagrin of her parents. But when she is roped into donning the store’s antique Mrs. Claus outfit to play Mrs. Claus at Rossman’s famous Santaville, her life takes some unexpected turns. Through the help of the suit and the charming store Santa, Nick, Meredith rekindles her love of Christmas, the store, their employees and possibly even begins a new love with Nick. He is mysterious, great with children and always there when you need him. Just like the real Santa….wait…could he be? One thing is certain: from the moment Meredith put on the magical Mrs. Claus dress, her life would never be the same!
In this coming-of-age comedy, Tim Dunphy is leading a go-nowhere existence, spending his days smoking pot and hanging out with his best friend, Drugs Delaney. But Tim’s lazy days of getting high are jettisoned after a brush with the law convinces his blue-collar dad to send him to a Connecticut prep school. The one saving grace of the new school is Jane, a fellow student Tim falls for immediately.
Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution network in Mexico. To set her free, Ulises will have to find another girl to replace her. Adapted from Jorge Volpi’s novel, set in the world of juvenile prostitution.
Inspired by true and harrowing events, an ordinary man finds his world suddenly torn apart as devastating wildfires rip through the surrounding countryside. With precious moments ticking by, he must flee with his son and pregnant wife if they have any hope of surviving the rapid forces of mother nature.
Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.
The story revolves around a “surprise” kidnapping case. Liu Xiaojun (Dapeng), the owner of the car dealership, was involved in a kidnapping case for the accident of reselling a black car. He was surrounded by the kidnapped little girl Kiki (Ulanto Yaduo), the dereliant brother Xia Xi (Ou Hao) Several seemingly irrelevant people, such as Xia Tao (Sha Baoliang), dancers (Li Meng ), and second-hand car dealers (Cao Bingyu), have also fallen into the abyss of eternal annihilation.
An honest cop has to compromise with his principles when he is told to find a scapegoat for a high-profile serial killer case in exchange for a big promotion.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
Based on a famous Thai erotic novel, the film tells the story of Jan, a boy who grows up in a house lorded over by his sadistic and debauched father, Luang Wisnan. Set in the 1930′s the story recounts the growing pains of Jan, whose mother dies while giving birth to him and who’s intensely hated by his father. Jan grows up with Aunt Wad, his stepmother, and he struggles to reconcile his guilt and longing with different women in his life, including a girl called Hyacinth, whom he adores, and later Madame Boonleung, his father’s lover who becomes a key to Jan’s sexual awakening.