A terrifying coven of tales designed to take viewers into the nether reaches of insanity, shock and horror.
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Four documentary filmmakers find themselves in Nowhere Else, population 2, in the Australian outback, where the one remaining resident rents them trailers and warns them not to wander around outside at night. After stealing a book on cryptozoology from their host, the filmmakers get an idea of what they’re dealing with. But will they heed the warning or risk getting something extraordinary on film?
Abby and Rebecca Powell haven’t seen each other since a traumatic event in their youth ripped them apart. Reunited for the first time in over a decade, the sisters take a trip to spread their mother’s ashes at a secluded lake. As the sisters reconnect and try to heal old wounds, something waits in the nearby woods. A strange object, made not by the hands of man, beckons them to it. As they begin to try and unlock its secrets, Abby is plagued by nightmares of an alien presence that seem all too real. Little do the sisters realize that this object is actually a device, one with a purpose too horrible to comprehend. As the events of the past and the present begin to merge, new discoveries will threaten to tear apart their newly reformed family, and the inhuman creators of the device will attempt to finish a terrible experiment begun years before.
Todd and Bruce, a hapless screenwriting team, get one last shot at success thanks to Todd’s wealthy uncle, Sarge. If they pen a worthy horror script, Sarge will fund the entire project. But there is one condition – the script must be complete in two weeks. With the deadline looming and no fresh ideas, Todd and Bruce head to Shangri-La, a serene artist’s retreat, with the hope that the peace and company of fellow artists will inspire greatness… or, failing greatness, at least enough for straight-to-DVD. Shangri-La proves to be anything but serene, as the artists die off one by one, seemingly by accident. Bruce convinces Todd to soak in this morbid atmosphere to help with the writing, but soon those two are fighting for their lives as well.
When lovelorn Michael arrives in Berlin to return a set of keys to his ex-girlfriend, Gabi, as an excuse to see her again, he finds her apartment empty save for a couple of plumbers making repairs to the central heating. Just as Michael learns from the plumber’s apprentice, Harper, that Gabi has popped out for a while but will return soon, the apprentice is attacked by his boss who has unexpectedly and inexplicably transformed into a raging madman. Together, Michael and Harper manage to bundle the crazed plumber out of the apartment and barricade themselves safely inside. Within minutes, they find themselves trapped in apartment block under siege from a horde of similarly insane people, apparently hungry for human flesh.
During a power outage, two strangers tell scary stories. The more Fred and Fanny commit to their tales, the more the stories come to life in the dark of a Catskills cabin. The horrors of reality manifest when Fred confronts his ultimate fear: Fanny is the better storyteller
Brain freeze has never been so bad once you’ve tasted Ale Cream, as four friends inadvertently eat some radioactive ice-cream, turning them into zombies. Only problem is they don’t see themselves as the undead, but as super soldiers.
After an injury puts SCARLETT HEALY (35) in a wheelchair, she moves in with her daughter, AUTUMN (19), who just moved into a creepy old house with her boyfriend, FRANK THRUSSEL (30). There’s one condition to the arrangement. Scarlett cannot interfere with Autumn’s relationship and find something wrong with Autumn’s new boyfriend, as she has a habit of doing. Scarlett may have to choose between getting kicked out of her daughter’s life and saving it as moving into the house leads to a journey of suspense, mystery, spine-tingling discoveries about Frank and the people who have been killed in the house.
A taut reinvention of vampire lore, Shadowland opens in modern day North America, where construction workers uncover an old stone cross and what appears to be a wooden stake. They remove the stake from the ground, allowing Laura (Caitlin McIntosh), a slumbering vampire, to revive and rise from the earth. Beaten and weak, Laura is unable to speak, remember who she is, or even the fact that she is a vampire! As Laura attempts to make sense of the strange new world around her, she begins to remember not only an idyllic human life in 1897 but the handsome Lazarus (Carlos Antonio León), a mysterious lover who may not have had her best interests in mind. Soon Julian (Jason Contini), a world-weary vampire hunter employed by the church, begins tracking Laura, but as he closes in for the kill he learns that things are not what they seem.
A couple (Jian RenZi and Andrew Lin) who has been unsuccessfully trying to have a child for a few years, and decides to resort to an old Chinese fertility ritual, that of the “primer”: to temporarily adopt a child, who will open the way for their own progeny. They adopt a quiet 7-year-old girl (Wang Yifei) at an orphanage whose supervisors (Hui Shiu Hung and Pat Ha) are obviously not telling them everything. The adopted child is silent, asocial and constantly draws disturbingly dark pictures of her previous family. It doesn’t help that her new mother is beset with strange visions that threaten her sanity.
