Resort developer Madison Lane is tasked with finding a location for a new ski resort. Her boss tells her to take a trip to Christmas, Colorado, to consider the location. On her way into town, Madison has a minor fender-bender with the town’s welcome sign. Town Sheriff Gage McBride gives Madison a ride into town so she can attend her meeting with the mayor while the car is towed and repaired. Little does Madison know that the town is on a mission to convince Madison that Christmas is the best place for the new ski resort.
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Tanner Gray is shocked to learn after the death of his ex-wife Andrea that he has a 25 year-old daughter, Cyd. He and his wife had met on a cruise over 25 years ago where they both worked as dance instructors. They fell in love and married but while Andrea wanted to settle down in her small hometown and take over her parents dance studio Tanner came from a small town and wanted to travel before settling down. He went off on his own but when he was finally ready to come home, Andrea told him not to bother and they hadn’t spoken since. Now, Cyd is under pressure to sell the studio to a land developer but Andrea always left Tanner’s name on the deed so he would have to agree to any sale. He only has Cyd’s best interests at heart but as he gets to know her, he doesn’t think selling is the right thing to do.
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve’s party that she falls into an ethylic coma and she finds herself… propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and… be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?
Todd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.
A young female breakdancer, Angel, moves to Los Angeles after an attack by an ex-boyfriend nearly ends her dance career forever. B-Girl follows Angel through recovery and acceptance of a new life as she busts a move into the male-centric world of underground hip hop.
Journalist Amar falls for a mysterious woman on an assignment, but she does not reciprocate his feelings. However, when Amar is about to get married, the woman shows up at his doorstep asking for help.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
Under an Eastern European totalitarian regime, a prominent dissident writer survives repression by resuming a submissive sexual relationship with her former lover. After their split-up years ago, he had joined the Secret Police in order just to take her back and provide the protection she needed. Struggling to preserve her humanity, she falls in love with a young platonic dreamer, a kind of rebel without cause, whom she initiate in literature and reinvents as a character capable to meet her own desires of freedom. BEYOND AMERICA is a love story and an action drama altogether, with archetypes of an aggressive, totalitarian society.
An unexpected romance occurs for a female Red Army sniper and a White Army officer.
Andrew’s brave front convinces his father that he is unaffected by his mother’s death. Playmate and protector of his little brother Miles, he is often blamed when mischief goes wrong. Only when tragedy strikes does his father recognize Andrew’s true qualities.