Mircea hates weddings. And everyone knows that until he makes a controversial post on Facebook that goes viral. Because he has to return a huge amount of money due to wrong decisions, the only solution for him remains his own wedding.
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Tony Towers is a successful nightclub manager in 1985, a local celebrity and engaged to a much younger woman, Sue. But when he embarks upon the 3:17 to Nottingham for a Christmas family reunion, things get a little strange. Tony discovers that by moving up and down this fateful train, he can transport himself forward and backward to various stages of his life. Not only that, but the actions he takes in one carriage directly affect his life in the next. The question is, can Tony change his life – and the lives of the people he loves – for the better, or will he just make things worse?
On the hottest day of the year, an unknown virus spreads throughout inner-city Philadelphia. The infected victims, crazed by dehydration, begin attacking other residents of the neighborhood in gruesome ways. When the military is brought in to contain the situation, but realize they can’t come up with a vaccine quickly enough, they fence off the area and let everyone die. A group of locals, stuck in the basement of their building, behind the fences, and separated from their family members, band together to try to survive.
Kevin Kline and Glenn Close star as Harold and Sarah Cooper, a couple whose marital troubles are put on hold while they host an unhappy reunion of former college pals gathered for the funeral of one of their own, a suicide victim named Alex. As the weekend unfolds, the friends catch up with each other, play the music of their youth, reminisce, smoke marijuana, and pair off with each other.
Cartman’s deeply disturbing dreams portend the end of the life he knows and loves. Meanwhile, the adults in South Park are wrestling with their own life decisions, as the advent of AI is turning their world upside down.
Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.
