An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.
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Wall Writers promises unprecedented access to the early years of American graffiti. Interviews with TAKI 183 and CORNBREAD, along with other legendary artists, illuminated a time when a new form of wall writing emerged from dilapidated city neighborhoods.
The film takes you on a journey from the conception of this musical partnership and the first demos recorded in Californian desert by – what became – the Post Pop Depression band that included Dean Fertita (QOTSA) and drummer Matt Helders (Arctic Monkeys), and onto the release of the album, proceeded by a sold-out American and European Tour that featured the epic performance at the Royal Albert Hall in London.
Follow the shocking and unnerving story of Larry Ray and how he brainwashed students of Sarah Lawrence College into an abusive sex cult that upended their lives, and the lives of their families.
Filmmaker Luigi Acquisto and two young sisters help former Australian police and Special Forces officers rescue children from Filipino sex bars, and investigate the man who allegedly abused their younger sister.
Cassette inventor Lou Ottens digs through his past to figure out why the audiotape won’t die. Rock veterans join a legion of young bands releasing music on tape to push Lou along on his journey to remember.
Elizabeth Sankey’s deeply personal documentary examines the relationship between the cinematic portrayals of witches and the all-too-real experiences of postpartum depression by utilizing footage that spans the entirety of film history alongside heartrending personal testimony.
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“Bite Size” follows the year long journey of four children struggling with obesity.
Desert Age: A Rock and Roll Scene History is a feature length documentary about the California desert rock and roll scene from the early 1980s and 1990s.
In 1970, Blood, Sweat and Tears was one of the biggest bands in the world. They had exploded on the scene with both daring and promise, selling millions of records, winning multiple Grammy Awards including Album of the Year (beating out The Beatles’ Abbey Road) and headlining the legendary Woodstock festival. In demand for concert and TV appearances, BS&T was a darling of the mainstream and rock press, icon of the counterculture and inspiration for a generation of horn-based bands. Their future was limitless. And then it all went wrong.
When a courageous young woman and a radical lawyer discover a pattern of illegal involuntary sterilizations in California’s women’s prison system, they take to the courtroom to wage a near-impossible battle against the Department of Corrections. With a growing team of investigators inside prison working with colleagues on the outside, they uncover a series of statewide crimes – from dangerously inadequate health care to sexual assault to coercive sterilizations – primarily targeting women of color. But no one believes them. This shocking legal drama captured over seven years features extraordinary access and intimate accounts from currently and formerly incarcerated women, demanding our attention to a shameful and ongoing legacy of eugenics and reproductive injustice in the United States.
In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. Poitras is a great and brave filmmaker, but she is also a masterful storyteller: she compresses the many days of questioning, waiting, confirming, watching the world’s reaction and agonizing over the next move, into both a great character study of Snowden and a narrative that will leave you on the edge of your seat as it inexorably moves toward its conclusion.