How did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960’s and 1970’s? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope – from New Jersey to California – this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.
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Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners’ hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.
An inside view of Barack Obama’s last days as the first African-American President, and the legacy he leaves behind.
How do perfectly ordinary, normal people cope with the extraordinary challenge of an embarrassing, provocative, famous or unbelievable name? This documentary examines the phenomena of “strange names.”
Nychos is an illustrator, Urban Art- and Graffiti artist who became known with his street concept RABBIT EYE MOVEMENT (REM) 10 years ago. The icon of the movement is a white rabbit, which has been breeding since then and has been popping up in the streets all over the globe for the past decade. This is exactly what Nychos thrives for – he travels the world to spread his art and his REM concept. Within the last two years Nychos was accompanied by filmmaker Christian Fischer who recorded these journeys to create a full lenght movie. ”The Deepest Depths Of The Burrow” is a documentary about art, lifestyle and subculture.
A documentary based on Cheech and Chong’s “Light Up America” reunion tour.
A feature length documentary film about one man’s journey to find the perfect set of feet
This documentary covers the span of George Michael’s entire career, concentrating on the formative period in the late Grammy® Award winner’s life and career, leading up to and following the making of his acclaimed, best-selling album “Listen Without Prejudice Vol. 1” and his subsequent, infamous High Court battle with his record label that followed, while also becoming poignantly personal about the death of his late partner and first love, Anselmo Feleppa.
Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.
An intimate and inspirational portrait of Segway inventor, Dean Kamen, and his 15-year quest to solve the world’s safe water crisis.
The remarkable story of WWII infantryman and photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night.
