In 1984, American heavy metal band Twisted Sister became a global sensation. For 30 years, they been synonymous with hairspray, women’s clothing and tasteless album covers. Until now. Ten years ago, director Andrew Horn was granted access to the archives of Twisted Sister founder Jay French and in We are Twisted fucking Sister he explores the decade that preceded their breakthrough.
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We live at a moment in time when the Israeli-Palestinian conflict, now more than a century old, continues to be of overwhelming international political and societal importance. From its inception, that conflict has also, of course, had powerful and deeply troubling consequences for Israelis and Palestinians themselves. The story at its most basic level is one that involves two peoples struggling for national recognition and expression in a small but richly significant piece of land. The tragedy of this history, as both the Israeli novelist, Amos Oz, and the Palestinian scholar, Sari Nusseibeh, have each pointed out, stems from a conflict between the rights of two peoples with equal and legitimate aspirations to nationhood and self-expression in a single small territory to which they can both lay claim.
The teenage son of two fathers makes a documentary film about his parents but is surprised when a real-life plot twist occurs in his family.
Siblings Wednesday and Pugsley Addams will stop at nothing to get rid of Pubert, the new baby boy adored by parents Gomez and Morticia. Things go from bad to worse when the new “black widow” nanny, Debbie Jellinsky, launches her plan to add Fester to her collection of dead husbands.
This road picture follows a dope fiend named Rick, who believes his goal in life is to track down Ginger, a famous porn star who is currently staying in her Beverly Hills hideaway. Rick is obsessed with Ginger, watches her movies obsessively, and deals drugs on the side, all to the chagrin of his lover Tamara. He decides to seek out Ginger via the road, and along the way picks up Jules, a neurotic, virginal type. Written by Jason Clark
Two down on their luck cousins are forced to come up with a plan to make some cold hard cash when they lose the rent money after a night of partying with two strippers.
A panoptic film on water, energy and climate, SunGanges (SuryaGanga) is a wild and intense ride three filmmakers take across the vast Indian landscape in an attempt to connect the dots between vanishing rivers, massive energy projects and the quiet rise of renewable energy.
A bullied teen stumbles into possession of a top-secret government formula that turns his dog invisible and gives it the power of speech.
The lives of an addict, a Luchador, a cartel organ smuggler, and an ex-con collide in this wildly original crime/drama/blacker-than-black comedy/thriller that’s as informed by Mexican subcultures as it is by American cinema.
Love, Gilda is a true autobiography of a pioneering woman, told in her own voice and through her own words. It weaves together audiotapes, rare home movies, diary entries, and interviews with her friends and those inspired by her.
Follows elite climber Alex Honnold and a world-class climbing team led by National Geographic Explorer and climber Mark Synnott on a grueling mission deep in the Amazon jungle as they attempt a first-ascent climb up a 1000 foot sheer cliff.
Catherine’s seemingly perfect rural life is turned upside down after she discovers her husband is hiding a dark secret that leads her to the unthinkable: murder.
Harry Doyle (Lancaster) and Archie Lang (Douglas) are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom. Harry and Archie realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt. Archie, who spent his prison time pumping himself up, easily picks up a 20-year-old aerobics instructor. Harry, on the other hand, has to waste away his days in a nursing home. They both have festering resentments — Archie for having to endure a humiliating job as a busboy; Harry for having to endure patronizing attitudes toward senior citizens. The two old pals finally go back to what they know best. After successfully robbing an armored car, they decide to rob the same train that they robbed thirty years ago.