Mwas, a young aspiring actor from upcountry Kenya dreams of becoming an accomplished actor one day, and in pursuit of this, he makes his way to Nairobi, the city of opportunity. He quickly understands why Nairobi is nicknamed Nairrobery as he is bereaved of all his money and belongings and left alone in a city where he doesn’t know a soul. Luck or the lack of it brings Mwas face to face with the city’s criminals and forms a friendship with a small time crook who takes him in. He is quickly drawn into a world of crime as he struggles to pursue his dream of becoming an actor. Keeping the two worlds separate proves to be a challenge for Mwas as he steps into this unknown world called Nairobi.

An American journalist is set up and fed false information after the Lebanon war.

Barry Munday, a libido-driven wage slave who spends all his time either ogling, fantasizing about or trying to pick up women, wakes up in hospital after a freak attack only to find that his testicles have been removed.

After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge Suttel, with whom he first discovered prison life – for stealing cherries. The two of them inevitably got involved in organized crime. The team they formed, the Ganf Des Lyonnais, made them the most notorious armed robbers of the early 1970s. Their irresistible rise ended in 1974 with a spectacular arrest. Today, as he nears 60, Momon would like to forget that part of his life. He has found peace by retiring from the “business”. He tends to his wife Janou, who suffered so in the past, and to his children and grandchildren, all of whom have great respect for this man of simple and universal values, so clear-headed and full of kindness. But then Serge Suttel, who has disowned nothing of his past, comes back into the picture.

Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters…to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.

Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.

During a zombie pandemic, security consultant Jack Romero is bitten by a Zombie and has 3 days before he either turns into one or not, depending on his blood type, which he doesn’t know. Holding up in his home during a statewide quarantine, he must keep his wife, who is safely away at a military base, unaware of his condition, fend off an occasional zombie, as well as other characters, while the clock ticks away at his fate. Written, produced and directed by King Jeff, this film strays away from the zombie movie cliches and is fresh and original visually as well as its soundtrack and focus on character.

After witnessing a brutal murder in a cabin, a man hides in a crawlspace while the killers scour the property for a hidden fortune. As they draw nearer, he must decide if the crawlspace will be his tomb or the battleground in his fight for survival.

Major league baseball player, Moe Berg, lives a double life working for the Office of Strategic Services.

New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can’t be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring raid with a flame-thrower is too good to miss. His investigations soon get pretty complicated and rather too dangerous. At least along the way he does get to meet Alexis.

A dark and gritty film by Arius Blaze. Daemon (Jeffrey Arrington) finds himself in limbo in an old decaying apartment building.The only way out is through an obsession with the written word and a dark muse named Teles (Stephanie Leet). As he falls deeper and opens new doors he finds himself lost in his own story; a labyrinth of illusions and history which forever devours a part of him. The written word climbs into his pores and consumes his body, leaving only a shell of a man who’s story in undeveloped. Only Alexa (Alysse Fozmark) really knows what’s on the missing pages of his work and can lead him to the last door he ever needs to open.

When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl’s aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons – they’re not cops and they know the tough neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve the case, they are faced with a moral dilemma that tears them apart.