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Fictional drama based on actual events, about two teenage girls who encounter an Internet predator.
Rapunzel: While attending the birthday celebration of the scion of some record company, an ex-hair model who aspires to make a comeback in the entertainment business gets her tresses burnt by a spoiled brat. She walks into a hair salon to salvage her sole pride and joy, only to meet her most macabre end. Cheshire Cat: A woman whose cat was gruesomely disemboweled in the street has since opened a feline rescue center. When a man who poses as an animal lover alerts her to a potential case of cat torture, she accompanies him to the scene, only to realize that he is the real perpetrator and his next target could be human. Tooth Fairy: A dental nurse befriends a chef in the street. When he visits her clinic to check on his teeth, he is tortured by the dentist who fancies her. The morning after, the dentist is found murdered in the clinic. All fingers point to the chef who happens to be mentally unstable. Little do the police know that the real culprit is still at large.
What is supposed to be an educational and collaborative weekend professional development session for the English Department of Prescott High School instead turns into a blood soaked nightmare when a masked killer targets them.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
A total re-edit of Mario Bava’s gothic classic Lisa and the Devil (1973) for US release in 1975. Cheesy exorcism scenes were shot to try to capitalize on the success of The Exorcist (1973).
Martin sedates women with a syringe full of narcotics and then slices their wrists with a razor blade so he can drink their blood. Martin, who comes to live with his uncle and cousin in the dying town of Braddock, Pennsylvania, has romantic monochrome visions of vampiric seductions and torch-lit mobs, but it is impossible to tell how seriously he takes them.
An unnamed doctor has always had everything he’s ever wanted, but that has only made him develop more extreme and depraved needs. He kidnaps a young couple in the prime of their life together and forces them into a game of torment that slowly extinguishes their hopes for survival.
An aspiring cellist learns the cost of his brand-new cello is a lot more insidious than he first thought.
This two hour and twenty minute feature tells the powerful tale as it was intended, focused on the simple truth that violence and revenge simply begets only more violence and revenge. A tale of timeless relevance and depth, yet a bizarre and exotic indulgence in the horrific imagery of humankind’s inhumanity to itself …