After years of rotting in Joliet, Les, a wrongfully imprisoned street legend known as “The Ghoul”, is released into a mad search through Chicago’s back alleys for the man who slaughtered his mother and robbed him of his soul. Aided by mysterious benefactors, he must delve beneath the city into a modern labyrinth of gutters whose tendrils have grown deep while he was gone. What unfolds is a desperate tale of brute force tragedy set in the supernatural underworld of Chicago, where heroes are reduced to horror-shows, villains dream of their own demise, and good and evil prove to be antiquated concepts.

Tokyo, Japan, 1989. Lucy Fly, a foreigner who works as a translator, begins a passionate relationship with Teiji, a mysterious man obsessed with photography.

Helen, a priest, is approached by scientist Lisbeth with a desperate plea for help. A young man, who has been sent to a high security psychiatric ward after having killed an old couple, has attempted suicide while rambling about God. Having been part of an experiment attempting to humanize inmates by assigning them pets, the young man has suddenly gone ballistic. Fearing that he will attempt suicide again priest and scientist must now confront their mutual animosities while trying to grasp the truth. In a race against time the two women begin a shocking journey deeper and deeper into the sick mind of a young man’s soul.

Sonia Patton accepts a huge job promotion. Accepting this promotion means she must leave her home in New York City and move to a small town near Boston. However, someone in her life is not ready to live without her.

The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.

Based on the Hungarian novel “Our Street” by Sandor Tar, the film deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, planes randomly crash, and only alcohol moves people around – no money, no electricity, only barter. In this wasteland, Ocsenas is the only hero, the one trying to survive amidst the savages and war, the one who helps everyone out, all while caught up in a love triangle that will define his future.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

The true story of Rocco Granata, an Italian coal miner’s son who followed his passion for music against his father’s wishes and social barriers.

After the death of her husband, a penniless woman moves into the home of her Uncle. Strange things begin to occur. Is the house haunted or is it something more?

In a city of love and prosperity, a city of lost hope and premature death, veteran detective Hei feels it all: the hurt, the helplessness, the horror. When his father-in-law, the billionaire benefactor Kim, is gruesomely murdered in his palatial mansion, he enlists the assistance of his former partner turned private detective.

Unlike the former Philippine First Lady, Imelda is indifferent towards shoes. To her, they are fraught with the bittersweet nostalgia of childhood, one that was marred by a difficult relationship with her shoe-maker father, Romeo. Growing up, all of hers were handmade by him. Now a mature woman, she takes a pivotal call from the morgue, spurring her search for the perfect pair of shoes for her dead father. The deeper she searches for the perfect shoes, the more she finds herself.

New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.