Faced with a documentary film that included an interview with a young girl forced into prostitution, Michael Kranz asked himself the apparently banal question of “what can be done?” He travelled to Bangladesh and began to search for the girl. A film that is both self-critical and critical of society about the desire to at least do something and not to simply and passively give in to the injustices in this world.
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Using a wealth of rarely-seen archival footage, correspondence, and new and illuminating interviews, Julia Newman makes the case that Albert Einstein’s example of social and political activism is as important today as are his brilliant, groundbreaking theories.
At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.
Musician Itzhak Perlman talks about family history and mastery of the violin.
Själö means ‘the island of souls’, and no name could be more fitting for the island in the Baltic Sea, which for centuries was a last stop for women who were considered social outcasts – and who are today forgotten. They were forcibly placed in a closed institution to be studied, measured and weighed – exactly in the way that nature itself was starting to be examined around the same time. Today, the place is a research centre. A young female scientist collects samples on the island, while the whispering voices of the past and never-sent letters echo in the empty hallways.
Game Face shows the quest to self-realization of LGBT athletes and the acceptance in society. The film follows athletes during their coming out process, and sheds light on the obstacles LGBT sports players deal with throughout their career.
Documentary looking at the black market website known as the Silk Road, which emerged on the darknet in 2011. This ‘Amazon of illegal drugs’ was the brainchild of a mysterious, libertarian intellectual operating under the avatar The Dread Pirate Roberts. Promising its users complete anonymity and total freedom from government regulation or scrutiny, Silk Road became a million-dollar digital drugs cartel.
In the early 1960s, Henry Ford II and Enzo Ferrari went to war on the battlefield of Le Mans. This epic battle saw drivers lose their lives, family dynasties nearly collapse, and the development of a new car that changed racing.
The Day the ’60s Died chronicles May 1970, the month in which four students were shot dead at Kent State. The mayhem that followed has been called the most divisive moment in American history since the Civil War. From college campuses, to the jungles of Cambodia, to the Nixon White House, the film takes us back into that turbulent spring 45 years ago.
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In “Dolphin Reef,” Disneynature dives under the sea to frolic with some of the planet’s most engaging animals: dolphins. Echo is a young bottlenose dolphin who can’t quite decide if it’s time to grow up and take on new responsibilities-or give in to his silly side and just have fun. Dolphin society is tricky, and the coral reef that Echo and his family call home depends on all of its inhabitants to keep it healthy. But with humpback whales, orcas, sea turtles and cuttlefish seemingly begging for his attention, Echo has a tough time resisting all that the ocean has to offer.
In 2016, French writer and photographer Carole Achache took her own life. After Carole’s death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
