A father attempts to reconnect with his estranged son through social media, a new world for him.

When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show “Top Story.”

Buenos Aires, 1971. Carlitos is a seventeen-year-old with movie star swagger, blond curls and a baby face. As a young boy, he coveted other people’s things, but it wasn’t until his early adolescence that his true calling—to be a thief—manifested itself. When he meets Ramon at his new school, Carlitos is immediately drawn to him and starts showing off to get his attention. Together they will embark on a journey of discovery, love and crime.

A series of non-dramatic tableaux representing scenes from De Sade’s novel.

While video chatting one night, six high school friends receive a Skype message from a classmate who killed herself exactly one year ago. A first they think it’s a prank, but when the girl starts revealing the friends’ darkest secrets, they realize they are dealing with something out of this world, something that wants them dead.

Lucas Simons has become obsessed with death following the loss of his older brother. A shy child, Lucas spends most of his free time filming funerals in an attempt to understand what happens when we die. When Lucas accidentally captures a mysterious presence in one of his films and posts it online, he inadvertently becomes a YouTube phenomenon and the target of media speculation. Suddenly, he and his grief-numbed parents find themselves thrust into the spotlight, shaking them out of their complacency while complicating their relationship. Lucas’s quest for answers leads him toward an unlikely friendship with Chris Brighton (Tim Meadows), a local author who died for nine minutes and lived to tell about it. As Chris takes on a mentor role to Lucas, he helps him navigate the fame while teaching him how to embrace life again and live larger than the shadow of death. (from Nashville Film Festival)

An aspiring twentysomething writer hesitantly accompanies her equally reluctant younger sister on vacation with their deliriously happy parents, in Luis De Filippis’ resonant, cliché-free debut feature.

When Charlie and her girlfriend Cerina decide to have a baby together, the idea of using Cerina’s ex-boyfriend Josh as the live-in donor turns an easy on-paper idea into a much more challenging event.

When her ill mother urges her to take a vacation from her caretaking, grad-school-dropout Leigh invites her ex along on the camping trip. The two soon find that confronting old wounds during a weekend in the woods is anything but restful.

With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.

Alice, a perfect wife and mother who lives happily with her husband and child until the day she discovers her husband is living a double life that has ruined her financially and left her a single mother. Alice fights back and dives into a world beyond anything she has ever known.

Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a prostitute from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach.