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Richard Davalos plays Rick Bowman, a drag racing street punk who comes to the attention of car enthusiast Grant Willard. Willard bails him out of jail and offers him sponsorship as a race car driver. Bowman eventually accepts and becomes entranced by the tricky “figure eight” track Willard introduces him to. The king of the track is cocky and talented hot dogger Hawk Sidney (Hill regular Sid Haig in one of his most memorable and entertaining roles). Bowman and Sidney clash and Bowman sets his sights on knocking the latter of his perch while stealing his girl Jolene. This is just the beginning for the ruthless Bowman who will let nobody stand in his way and will attempt to destroy any man, and seduce any woman who crosses his path. Pretty soon he has his eyes on Ellen McLeod the wife of champion racer Ed McLeod who he befriends. Will he betray his friends and colleagues on the eve of The Big Race, or will he finally discover he has a conscience?

A bashful bachelor penguin named Hubie, who’s partial to a pretty female named Marina. Ancient penguin ritual dictates that males present a pebble to their intended, then mate for life. Hubie finds a spiffy stone, but before he can bestow it on Marina, dastardly rival Drake tosses him into the churning sea, and Hubie gets swept away.

A young married woman (Parker) sells her body, not just for money, to guests at the motel where she works as a receptionist.

As the whole country is preparing for the World Cup, all characters are confronted with the Dutch ‘Orange Fever’, which seems to either bring them closer together, or drift them apart.

Jeff Bridges stars as young con man named Jake Rumsey in this highly original Western. After Drew Dixon (Barry Brown), an upright young man, is sent west by his religious family to avoid being drafted into the Civil War, he drifts across the land with a loose confederation of young vagrants.

When a reclusive backwoodsman finds a mute little girl wandering alone in the forest, he must protect her from the evil forces determined to end her life.

The Boo is a Southern-gothic thriller about a bereaved small town sheriff and his recently widowed, estranged, sister-in-law who must acknowledge the external forces they must extinguish to overcome the internal loss of their spouses.

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka. But Maurice turns his back on Luka’s growing affection. Running away from his true emotions he drifts aimlessly through the city. He tries to find his feet at a boxing club, where he meets Charlie. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace.

Spitz is the German-Jewish coach of the football team Macedonia during World War II. Under his leadership, the team fights to become the champion of Bulgaria’s National Football League

Devoted teacher Anne Sullivan (Alison Elliott) leads deaf, blind and mute Helen Keller (Hallie Kate Eisenberg) out of solitude and helps integrate her into the world.