In 2013 Jeremy Clarkson and Richard Hammond embarked on what they hoped would be the perfect road trip. It started well and ended, quite frankly, very badly. Unbowed, the Top Gear pair are back for another crack and this time they’re hoping to avoid inconveniences like apprehension by the French police. Welcome, then, to The Perfect Road Trip… 2. Once again, Clarkson and Hammond are seeking joy and perfection wherever it may be with a range of fast, beautiful and exciting cars unleashed on glorious roads amongst gorgeous scenery and drenched in Mediterranean sunshine. As part of their arduous research into perfection, the duo will also undertake some ridiculous challenges and hilarious stunts culminating in a strangely literal car race on the island of Capri. Top Gear – The Perfect Road Trip 2. This time it really is perfect. Except for the bits that aren’t.

A guy (Jesse Bradford) has his life planned out, until he is wooed, groomed and then dumped by an elusive woman (Elisha Cuthbert).

About to get married to an old, wealthy businessman, Resa enlists the help of gardener Otso to seduce her fiancé’s daughter, Katelyn, and record his sexploits with her in order to get her disowned.

Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she’s still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.

Garfield, the fat, lazy, lasagna lover, has everything a cat could want. But when Jon, in an effort to impress the Liz – the vet and an old high-school crush – adopts a dog named Odie and brings him home, Garfield gets the one thing he doesn’t want. Competition.

The sons of a music-loving insurance broker take extreme measures to find happiness for themselves and others, with some help from the power of music.

Álvaro is a marketing manager, divorced with a son who he can barely talk to, living a mediocre life and doing a mediocre job, until his bosses tell him he needs to improve his marketing campaigns for the next 2018’s World Cup. He’ll soon launch a plan with Argentina’s National Football Team and the upcoming qualifiers that may become a lot more risky that he planned.

“Fanny” is the second part of the “Marseille trilogy”, made by Marcel Pagnol with the generic name of “Marius, Fanny and César”. Fanny falls in love and is abandoned by Marius. Now she discovers she is pregnant. Her mother and Marius’s father, César, persuade her to accept the romantic advances of a much older man. To save face, Fanny accepts to marry Honoré Panisse, a rich merchant of the Vieux Port, 30 years her senior who will recognize her son.

A set of six nested stories spanning time between the 19th century and a distant post-apocalyptic future. Cloud Atlas explores how the actions and consequences of individual lives impact one another throughout the past, the present and the future. Action, mystery and romance weave through the story as one soul is shaped from a killer into a hero and a single act of kindness ripples across centuries to inspire a revolution in the distant future. Based on the award winning novel by David Mitchell. Directed by Tom Tykwer and the Wachowskis.

Frank, a man without a criminal record, attacks a money transporter and then turns himself in to the police. His behavior is a mystery. In prison he meets the unscrupulous and suspicious Arab Fuad, who is protected by his clan. To get closer to Fuad, Frank intervenes in the drug business within the walls and gets caught between the two rival groups of German and Arab inmates. It is only the prison guard Susanna with whom Frank will be able to build a relationship of trust, not knowing that she is part of Fuad’s business and has a sexual relationship with him. However, they come emotionally close. What only Frank knows is that his wife and his daughter died in a car accident. Fuad was the hit-and-run driver that remained unpunished. Frank seeks revenge.

When a psychotic Santa (Andy Dick) tries to destroy Chanukah by hypnotizing Jewish children with bootlegged copies of the Christmas classic “It’s a Wonderful Life,” it’s up to the Hebrew Hammer to save the day. Together with Mohammed (Mario Van Peebles), head of the Kwanzaa Liberation Front, the Hammer takes no prisoners in his quest to hunt down the renegade Santa and make the holiday season safe for all.

“I do not care if we go down in history as barbarians.” These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.