Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
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When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
Emilia arrives at her Aunt Inés’ hostel located on the Argentina-Brazil border, looking for her missing brother. In this lush jungle a dangerous beast which takes the form of different animals seems to be roaming around.
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An ambitious young executive is sent to retrieve his company’s CEO from an idyllic but mysterious “wellness center” at a remote location in the Swiss Alps but soon suspects that the spa’s miraculous treatments are not what they seem.
As each member of the Holloway family work to solve their problems, they prepare for Mopelola’s party, clearly to become the year’s biggest society event. But the buzz about the party compels the Asset Management Corporation to foreclose on ST. IVES, the family business, after the death of his God Father Baba Eko who had been protecting Akin Holloway. He must then fight a bigger battle – getting Mopelola to cancel her party and maintain a low profile to get them off the radar, while he tries to save the business.
Fresh out of foster care at age 18, a young drifter turns to petty crime to survive, and discovers an impossible love in an unlikely friend.
A father and his two children wander the margins of modern day Taipei, from the woods and rivers of the outskirts to the rain streaked streets of the city. By day the father scrapes out a meager income as a human billboard for luxury apartments, while his young son and daughter roam the supermarkets and malls surviving off free food samples. Each night the family takes shelter in an abandoned building. The father is strangely affected by a hypnotic mural adorning the wall of this makeshift home. On the day of the father’s birthday the family is joined by a woman – might she be the key to unlocking the buried emotions that linger from the past?
In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita’s descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita’s caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?
Pirdy is accident prone. He has been denied insurance from every company in town because he is always getting hit or hurt in some way. On the day that he meets the lovely Ellen of the Yellow Cab Co., he also meets the crooked lawyer named Creavy. Pirdy is an inventor and when Creavy learns about elastic-glass, his new invention, he makes plans to steal the process. With the help of another con man named Doksteader, and the boys, he will steal this million dollar invention no matter who gets hurt.
Two cunning and manipulative drifters venture into Farifield County, Connecticut looking to seduce wealthy and lonely housewives.
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles
A cinematic version of the Royal Winnipeg Ballet’s adaptation of Bram Stoker’s gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.