The story is about the hopes and dreams of a girl who is about to pass away, slowly dying just like her country around her ,the beautiful moments are the ones that stay with her until the end.
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In this MGM Crime Does Not Pay series short, a young woman, wanting a life of luxury, takes the “easy” way, and winds up in jail.
A mariner survives an attack from the dreaded pirates of the Black Freighter, but his struggle to return home to warn it has a horrific cost.
The Safdie brothers repurpose reality television’s vocabulary of confrontation and cramped cinematography for a miniature study of urban maladies.
A deeply personal coming-of-age story which follows music artist Akeem ‘GUAP’ Hayes as he navigates a complex upbringing in Oakland, California. The music from GUAP’s album 1176, titled after his childhood home address, sets the tone for this moving story, telling the tale of a Black-Filipino artist as he explores his identity, his family, and community.
This short film is a combination of live-action and animation. It is done in the style of the chalk drawings seen in the original “Mary Poppins” film and was produced exclusively for the 40th Anniversary Special Edition DVD released in December of 2004. Julie Andrews and two children magically enter the animated world of the chalk drawings to experience this whimsical tale based on one of the chapters from the original series of “Mary Poppins” books.
Kat runs late to an interview at Intrinsic Recruiting. In the lobby, she takes a pill to stave off a andquot;condition.andquot; The picturesque officeandapos;s facade soon starts to crack, with malfunctioning supplies, interchangeable receptionists, a…
A series of unrelated sports gags. Archery: The bullseyes make sense when we see where the archer is standing. Billiards: A trick shot: All the balls move together. Ping pong: The spectators eyes follow the ball… Ski jump: A long, long chute and a very short jump. Track: The hurdlers climb the hurdles like ladders. Swimming: The women’s champion turns out to be a mermaid. A men’s champion demonstrates strokes, ending with the crawl (on the bottom of the pool, on all fours). We see dives, ending with a seedy bar. Crew: We pull back from the first three precision rowers to see a real mess. Bicycle track racing: “Monotonous, isn’t it?” Baseball: A talkative catcher gets knocked back by the ball. Football: Avery Memorial Stadium, with every seat on the 50-yard line one row wide and hundreds tall. On field: The QB calls signals and hops around. A ref emerges from under a pileup: “Is it a touchdown? Mmm, could be.” The play is diagrammed into a huge tangle. Auto racing: The winner is…
Enjoy this fantastic Sci-Fi short film by the talented Patrick Kalyn! In the wake of an alien infestation, an ex-special forces soldier’s daughter is killed in an alien attack. Seeking revenge, she leads a team deep into alien territory to a quarantined lab. Soon, she discovers the aliens aren’t alien at all, but a failed government experiment to create a bio-hybrid soldier. She must then expose the governments cover-up and save the last standing city in the quarantined zone from falling.
A little girl home alone finds herself face-to-face with pure evil.
Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.
