Imagine an insatiable demon that feeds on blood, thrives on pain, and reaches from beyond the grave to torment the living…and the dead. For believers and skeptics alike, there is nothing in this world or the next to rival the relentless evil of a Voodoo Possession. Burdened since childhood with a gnawing sense of guilt, cynical Aiden Chase journeys to a Haitian insane asylum in search of his missing brother. Upon arriving, he discovers all the inmates and the hospital administrator (Danny Trejo, Machete) are seemingly possessed by a bloodthirsty voodoo spirit. Now, Aiden must abandon reality and descend into a terrifying spirit world to try to rescue his brother – or they will both be damned for eternity.
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Up until the middle of the 19Th century, poverty stricken mountain farmers from the Ticino area of Switzerland frequently sold their children to Milan as chimney sweeps or spazzacamini. That is also young Giorgios fate. He is forced to climb through pitch black chimneys, flinging down the soot with his bare hands. But he does not lose heart. Together with his buddies sharing in the same misery, he establishes the association of Black Brothers. They stick together, struggling against their penury and getting involved in fights with the street gangs of Milan. The film tells of the gripping adventures of the chimney sweep boys and their spectacular escape back to their native land.
Dita meets Ed. The meeting, which started with a misunderstanding, ended in a long and warm conversation. Ed, who is crazy about all kinds of riddles, asks Dita to complete a riddle challenge from him, in an adventure that ends romantically.
Set in an alternate reality in which everyone is a cliché from a tacky soft-core porn film, a group of increasingly self-aware stock characters are up against a mysterious killer offing them one by one.
The Football Factory is more than just a study of the English obsession with football violence, it’s about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo Saxon males fed up with being told they’re not good enough and using their fists as a drug they describe as being more potent than sex and drugs put together.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
Blackfella Charlie is getting older, and he’s out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws that don’t generally make much sense, and Charlie’s kin and ken seeming more interested in going along with things than doing anything about it. So Charlie takes off, to live the old way, but in doing so sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.
Five hundred miles north of Vancouver is Kitamaat, an Indian reservation in the homeland of the Haisla people. Growing up a tough, wild tomboy, swimming, fighting, and fishing in a remote village where the land slips into the green ocean on the edge of the world, Lisamarie has always been different. Visited by ghosts and shapeshifters, tormented by premonitions, she can’t escape the sense that something terrible is waiting for her. She recounts her enchanted yet scarred life as she journeys in her speedboat up the frigid waters of the Douglas Channel. She is searching for her brother, dead by drowning, and in her own way running as fast as she can toward danger. Circling her brother’s tragic death are the remarkable characters that make up her family: Lisamarie’s parents, struggling to join their Haisla heritage with Western ways; Uncle Mick, a Native rights activist and devoted Elvis fan; and the headstrong Ma-ma-oo (Haisla for “grandmother”), a guardian of tradition.
Park manager Fiona is tasked with taking care of some former friends who won an exclusive private sneak preview of Halloween at Liseberg – a whole night, all alone in the empty park. But cotton candy, lovely rides and lots of laughter soon turn into something completely different, as they realize they are not alone in the park. And the night of dreams quickly turns into a true nightmare.
The story of the 1985 Senatorial hearings to place “Warning: Parental Advisory” labels on music albums with ‘obscene’ lyrics and themes – and the rockers who tried to fight it.
