Spend time on both sides of World War I, partly with German flying ace Baron Manfred Von Richthofen (John Phillip Law), aka “The Red Baron,” and his colorful “flying circus” of Fokker fighter planes, during the time from his arrival at the war front to his death in combat. On the other side is Roy Brown of the Royal Air Force, sometimes credited with shooting Richthofen down.
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Inspired by stories of Polish musicians from the 1930s and 40s. Two young lovers, Robert, a Catholic opera singer, and Rachel, a Jewish violin virtuoso, dream of one day performing together at legendary Carnegie Hall. When they’re torn apart by the German invasion of Poland, Robert vows to find Rachel, no matter what the war may bring. His search leads him on a life-threatening journey through the heart of Nazi Germany, to a reckoning that Rachel may be lost to him forever.
In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement (“unrueh”) of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.
To save the world, Mothra goes back in time in an attempt to defeat a younger King Ghidorah.
The unknown life of Ukiyo-e artist Katsushika Hokusai in the Edo period, who is said to have painted more than 30,000 works throughout his life, such as “Thirty-Six Views of Mount Fuji”
Santa Claus tries to outrun a gang of knife-wielding youth. It’s one of several vignettes of Palestinian life in Israel – in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn’t.
Upon waking up to the news that the man she’d gone on a date with the previous night has been murdered, a young woman with only a faint memory of the night’s events begins to suspect that she murdered him while attempting to resist his advances.
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
Ellie Linton, a teen from an Australian coastal town, leads her friends on an excursion to a camp deep in the woods, dubbed “Hell.” Upon their return, the youths find that their town has been overrun by an enemy army, and their friends and family have been imprisoned. When the hostile invaders become alerted to their presence, Ellie and her friends band together to escape — and strike back against — this mysterious enemy.
Nine-year old Reliana witnesses Rossini’s efforts to salvage his seemingly cursed new opera, the Barber of Seville.
Young-ho goes to see his father who is tending to a famous patient. He surprises his girlfriend, Ju-won, in Berlin where she is studying fashion design. He goes to a seaside hotel to meet his mother and brings his friend Jeong-soo with him. In each instance, he anticipates an important conversation. But sometimes a shared look, or a shared smoke, can mean as much as anything we could say to those close to us.
A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.
