Centres on Jeanne, a journalist tracking a mysterious rare herb that appears only once every 997 years.
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Four down-on-their-luck men are hired to drive trucks laden with nitroglycerine through the mountains as part of an operation to extinguish an oil well fire.
Danny, a commercial editor and documentary filmmaker attempts to finish his film, a study on relationship while navigating the relationships in his own life. Will he continue to chase the unattainable Theresa a hippy new age dancer(Caitlin Fitzgerald) or will he finally admit he’s in love with his best friend Carla (Katherine Waterston) who is in an unfulfilling relationship with a political strategist(Gaby Hoffman). Manhattan Romance is a funny insightful look at contemporary life in Manhattan. It explores new age ideas and open relationship as well as true friendship and connection.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he’s been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
Jota is about to commit suicide. As he fighting against himself, trying to jump off a bridge, a girl riding a motorcycle falls off the bridge. He runs to help her, and goes with her to the hospital. She has forgotten even what her name is, and he invents her life. He makes up a name for her and tells her and the doctors that they live together as a couple for four years. The lie goes on for a while..
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
In a Copenhagen hotel, disparate lives intersect through accident or fate: A stewardess desperate for intimacy. An immigrant obsessed with revenge. A hotel manager lost in despair. A wife abandoned by her husband. A receptionist with blood on his hands. People meet in the intimacy of hotel rooms, secrets are revealed and unexpected events merge into a dramatic tale of love and longing.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
A countess from Transylvania seeks a psychiatrist’s help to cure her vampiric cravings.
After getting into a car accident while drunk on the day of her sister’s wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction.