Ten years after a tsunami destroyed a small-town elementary school with all the children inside, a young man builds a mysterious structure out of the school’s remains, setting the town aflame with passions long forgotten.

Good Witch Cassie Nightingale (Catherine Bell) is back to her bewitching ways, but this time she’s also juggling a newborn daughter and her job as town Mayor. With such a busy schedule she and her husband, town sheriff Jake Russell (Chris Potter), aren’t getting much sleep. Hoping for a break, Cassie plans a much needed vacation with her new family. But things go awry when a crime wave sweeps through town and an investigative reporter (Geordie Johnson) tries to ruin Cassie’s image after a video of her magically disappearing turns up on the internet. To make matters worse, Cassie’s estranged foster mother (Janet-Laine Green) appears in town and Cassie’s stepdaughter (Hannah Endicott-Douglas) is suddenly accused of the recent robberies. Supported by her loyal family and friends, Cassie must rely on her signature charm to put a stop to the rumors before they completely destroy the town, and a Good Witch’s reputation!

A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.

When millionaire businessman Ted Billings (Glenn Morshower) double-crosses his partners in a weapons deal, he decides to hire some protection. Billings enlists Eugene “Vash” Vasher (Lou Diamond Phillips) a mercenary-for-hire and soon, Vash is fighting off assaults on his boss from all sides, but on top of that, he doesn’t even like Billings who has a hidden agenda. Among the shoot-outs and chases, Vash forms a bond with Emily (Yancy Butler) Billings’ chief-of-security and Vash’s former flame who’s not all that she appears to be.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach (Michael Douglas). After the initial eliminations, seventeen hopefuls remain, among them Cassie (Alyson Reed), who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he’s willing to let professionalism overcome his personal feelings about their past remains to be seen.As the film unfolds, the backstory of each of the dancers is revealed. Some are funny, some ironic, some heartbreaking. No matter what their background, however, they all have one thing in common – a passion for dance.

The movie continues the story from the TV series which ended with a cliff hanger where the wife (Sonia Sui) was deciding whether to return to her cheating husband (James Wen) or have a relationship with her boss (Chris Wang). 4 years after the divorce, her cheating husband, Wen Rui Fan, comes back in hopes of re-kindling their love. Will An Zhen return back to him or move on to a new love?

Orlando is dying. Resigned to his fate, all he wants is to be left alone with his alcohol, drugs, and hermit crab. But his hopes of solitude are shattered when he is woken by Jean-Luc, an incessantly chatty Frenchman who happens to be a voice in his head. Now, in addition to cancer, Orlando must deal with Jean-Luc’s never-ending questions and commentary, as well as the discovery that Jean-Luc is slowly taking over every sense of his body (sight, hearing, taste, smell, touch).

A spoiled, selfish teenager becomes infatuated with her teacher. She befriends his daughter as a way of worming her way into the family, and sets about manipulating every aspect of his life.

The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.

The queen of Egypt (Claudette Colbert) barges the Nile and flirts with Mark Antony (Henry Wilcoxon) and Julius Caesar (Warren William).

Hakan and Ozan are brothers who can’t get along well. They meet again in their father’s funeral. Even though they want to get back to their daily lives, their father’s will won’t allow it.

A criminal on the run cons his way into the wrong dinner party where the host is anything but ordinary.