In an effort to communicate with her dead mother, 16-year old Alexis accidentally summons a demon who tries to steal her soul. Does she have what it takes to send him back to Hell?
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A horrifying incident involving a child reveals the malevolent presence of an ancient witch residing within the basement walls.
A television crew heads to Nevada to search for alien life.
Nine visions of horror conceived and curated entirely on the popular social media platform Clubhouse, Sinphony features a group of international filmmakers each exploring a character dealing with tragedy caused by a supernatural entity.
Norberto Lopez Amado’s They’re Watching Us is about a cop who becomes obsessed with a case. Juan (Carmelo Gomez) is ordered to head up an investigation concerning a businessman who has been missing for almost three years. The officer who worled on the case previously now resides in a mental institution and is unable to say anything other than, “They’re watching us.” A priest (Roberto Alvarez) explains how a series of disappearances in the area have supernatural underpinnings. As Juan is absorbed deeper and deeper into the case, his mother is concerned for him.
Counselors are being killed off at summer camp, and Sam (Fran Kranz) is stuck in the middle of it. Instead of contacting the cops, he calls his friend and slasher-film expert (Alyson Hannigan) to discuss his options.
When flying reptilian creatures wreak havoc all over the world, the survivors’ only hope of stopping them is a new, state-of-the-art fighter jet piloted by the only team that knows how to use the technology.
Kate (Lora Burke) and her daughter Beth live alone in an isolated farmhouse in the woods, but when Kate slowly begins to suspect that something sinister is happening, her motherly instincts are put to the test.
When a family moves into a San Francisco apartment, an opportunistic troll decides to make his move and take possession of little Wendy (Jenny Beck), thereby paving the way for new troll recruits, the first in his army that will take eventual control of the planet. We soon discover Torok is the ex-husband of Eunice St. Clair, a resident in the building who was married to Torok.
Connected by phone in the same home but 20 years apart, a serial killer puts another woman’s past — and life — on the line to change her own fate.
While caring for his ailing wife, an American engineer in Pakistan stumbles upon a deadly pharmaceutical conspiracy.
A number of kidnapped and trafficked women find themselves imprisoned in a squalid medical facility. For Paula her continued survival relies on her basic human function. Escape, on any level, is seemingly impossible as the women are condemned to a life of enforced servitude at the whims of their captors; for one reason only – their milk.
