A New York reporter investigates disappearances in an English village, where she must overcome their distrust while dealing with a evil force.

Based on actual creatures that for years have tormented our armed forces in the Middle East, these creatures have now invaded the southwestern deserts of the United States. The Camel Spiders now freely hunt for prey, unafraid of any predator – including man. No place is safe no one is beyond their paralyzing sting. In the end, a small band of hearty fighters are forced to make one last stand against the creatures.

A young med student struggling with her tuition fees is drawn into the shady world of underground body modification.

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

A rich woman who uses meditation to deal with pain is visited by her niece who returns from Paris. The woman can be a handful and one of her employees suggests to her husband that he kill her freeing them both. When an affair starts between the husband and the niece murder becomes a real possibility. However some people won’t stay dead.

A world-travelling ghost hunter mysteriously disappears, leaving everything to his niece, who accidentally releases a horde of angry spirits, imprisoned in liquor bottles, during her Fourth-of-July party.

A documentary portrait of poet, novelist, photographer, and composer Gordon Parks on the set of his first film, The Learning Tree – vuosi elämästäni (1969): the first major studio film directed and produced by an African American.

The deadly adventures of Bunnyman continue in the third and final film in the Bunnyman franchise.

A homoerotic evangelical exorcism film.

When her neighbor refuses to get into the Christmas spirit, a jolly citizen takes matters into her own hands.

S&Man (also known as Sandman) is a 2006 pseudo-documentary film that examines the underground subculture of horror films. It combines real interviews with indie horror film makers and a scripted plot that does not immediately come into focus until the second half of the film.

A choirmaster addicted to opium and obsessed with a beautiful young woman will stop at nothing to possess her.