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In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.
A journey through the 1980s and beyond; the story of a band, an era and how one small gathering of outsiders in London shaped the entire world’s view of music and fashion. The film is not only a fascinating, often hard-hitting social and cultural document of the time, but a brutally honest story of how friendships can be won, lost and ultimately regained.
Interracial brothers in the music business are opposites at life, love and sobriety. Featuring the music of rapper Friyie and the Supremes.
Ethereal post-rock pioneers Sigur Rós play a string of impromptu gigs in their native Iceland after finishing a world tour in 2006. As they travel through the country, the band visits a wide variety of venues, from a large outdoor festival to a coffee shop.
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
A privileged rich debutante and a cynical struggling entertainer share a turbulent, but strong childhood friendship over the years.
Due to a pandemic, the Electric Castle music festival shifts into an intimate concert staged for cameras instead, with three bands and no live audience.
A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.
An aspiring recording artist, Adam, is burned by a bad relationship experience and decides that if women won’t respond to the “nice guy” then he’ll be “the jerk.” This is wildly successful with meaningless relationships, but when Adam meets and falls for Molly, who doesn”t fall for his jerk routine, Adam is forced to reconsider his dating philosophy.
In 1984, American heavy metal band Twisted Sister became a global sensation. For 30 years, they been synonymous with hairspray, women’s clothing and tasteless album covers. Until now. Ten years ago, director Andrew Horn was granted access to the archives of Twisted Sister founder Jay French and in We are Twisted fucking Sister he explores the decade that preceded their breakthrough.
Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.
A film about the early life of the rock musician and his burgeoning career as a member of the Beatles.