A hard-nosed detective deliberately commits a crime to get thrown in prison, allowing him the chance to seek vengeance on a criminal serving a life sentence for brutally murdering his wife.
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Meet Dave Bertman, a tightly wound 37 year-old father of one. Bertman’s “higher” education begins when medical marijuana activists wielding “loaded” weapons interrupt a planned reunion barbecue with college debate chums. When his teenage daughter Gina Marie unexpectedly arrives with a joint found in her pocket, Bertman assumes the worst. Only after he faces his own hypocrisies, can he have the open and honest discussion needed for father and daughter to understand each other and reconnect.
The great actress and Ozu regular Setsuko Hara plays a mother gently trying to persuade her daughter to marry in this glowing portrait of family love and conflict—a reworking of Ozu’s 1949 masterpiece Late Spring.
This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village, New York, USA. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, HIV/AIDS, and modern day life.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
When an energy experiment goes haywire, a rash of massive hurricanes rips across North America. A high school science teacher must get his family to safety before the hurricanes merge, creating a “hypercane” with the power to wipe the US off the map.
Set in 1970s Rome, the fiction tracks the plight of a nuclear family, consisting of an unhappy married couple: Clara (a deeply dissatisfied expatriate Spaniard) and Felice (an abusive businessman cheating on Clara with his secretary) and their children Adriana, Gino, and Diana. Their eldest child, 12-year-old Adriana, experiences gender dysphoria; he rejects girlhood and instead goes by the name of Andrea (a primarily masculine name in Italian). Andrea develops a crush for Sara, a Roma girl who knows him as a boy. Upon a shared sense of being outsiders, Andrea and Clara grow closer.
A lawyer conducts business from the back of his Lincoln town car while representing a high-profile client in Beverly Hills.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
A mysterious stranger works outside the law and keeps his objectives hidden, trusting no one. While his demeanor is paradoxically focused and dreamlike all at once, he embarks on a journey that not only takes him across Spain, but also through his own consciousness.
The star of Ken Loach’s MY NAME IS JOE, Mullan proves that his talent isn’t relegated to acting. As a writer/director, he has crafted a supremely entertaining motion picture. ORPHANS tells the grittily realistic, hysterical, and deeply moving tale of a group of siblings who reunite in Glasgow on the eve of their mother’s funeral. The four children mourn their mother’s passing in a variety of ways, some of which are heartfelt and some of which are bizarre. As a potential thunderstorm threatens to damage the city, the situation compounds itself even further.
Charlotte Hart, a distinguished journalist, is spending time with her family over the holidays when a real estate developer approaches their small town with quite an offer. Skeptical and looking for the real scoop, Charlotte drives to see the real estate head honcho to question him. While she’s en route, she gets into a terrible car accident and wakes up in the hospital only to realize that her body is in a coma, but her spirit is very much awake. She meets another spirit, who just happens to be the greedy developer. It turns out that he was on the other end of the accident and he too is in a coma. With only a few days left before the town votes on the development, Charlotte must try to change the minds of the developer and the town, but that is no easy task when no one can see or hear her. Will her voice be heard?
