In an attempt to fix his financial problems, Erik recruits his brother, Atli, to help him import a shipment of cocaine into Iceland. Erik thinks he’s got things all figured out, until the young Polish “mule” they’ve hired is unable to pass the drugs through her system.
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The world is stunned when a group of time travelers arrive from the year 2051 to deliver an urgent message: Thirty years in the future, mankind is losing a global war against a deadly alien species. The only hope for survival is for soldiers and civilians from the present to be transported to the future and join the fight. Among those recruited is high school teacher and family man Dan Forester. Determined to save the world for his young daughter, Dan teams up with a brilliant scientist and his estranged father in a desperate quest to rewrite the fate of the planet.
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After exotic dancer Isis falls in love with up-and-coming politician Osiris, a band of criminals from her past threatens the couple’s future together.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang (as himself) to direct an adaptation of “The Odyssey,” but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
A man awakens in a car wreck at the bottom of a steep cliff. He can’t remember who he is or how he got there, but a report over the radio fills in some of the blanks, as it describes a violent bank robbery and names a perpetrator who happens to be sitting dead in the back seat.
Havana 1957—sin capital of the world. Mafia nightclubs, sex, drugs and gambling. A young cop witnesses a murder and must decide if he wants to play the corrupt game or go against corrupt cops and the mob with the help of a beautiful Tropicana dancer.
In a hair salon in an alley, apprentice Fen practices day and night in the hope of becoming a fully-fledged hairdresser soon. On a stormy night, Tai, a wounded gang boss, rushes into the salon to hide from his rival. With Fen’s help, Tai manages to escape. Smitten by Fen and to repay her kindness, Tai brings his underlings to have their hair cut in the salon and passionately pursues Fen. When Fen and Tai, who come from such different backgrounds, gradually come to understand each other and fall in love, Tai’s rival shows up and challenges Tai. Could the couple work together to overcome the difficulties and start a new life?
The Earnshaws are Yorkshire farmers during the early 19th Century. One day, Mr. Earnshaw returns from a trip to the city, bringing with him a ragged little boy called Heathcliff. Earnshaw’s son, Hindley, resents the child, but Heathcliff becomes companion and soulmate to Hindley’s sister, Catherine. After her parents die, Cathy and Heathcliff grow up wild and free on the Moors and despite the continued enmity between Hindley and Heathcliff they’re happy– until Cathy meets Edgar Linton, the son of a wealthy neighbor. Written by Marg Baskin