Vampire Vixens – the lip-smacking, long-awaited sequel to the erotic cult hit, The Vampire’s Seduction. The fanged and fabulously succulent daughter of Count Dracula has returned once again from beyond the grave. Dracoola (Mia Copia) is her name, and seducing gorgeous women is her game. Dracoola desires only the choicest lesbians, and to that end, she requires the service of the nerdy Eugene Renfield to deliver the hot’n’writhing goods to her lair.
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Two crazy, jobless, horror-film addicts Major and Gullu, under immense family pressure to find work, hit upon the idea to float a unique ghost-capturing service when they meet a spirit, Ragini, who makes their business a success but in return asks them for a favour which they are compelled to honour.
When a school in upstate New York is snowed in, a group of students hi-jack a plow to keep the school closed..
Claude falls in love with Cécile. She is convinced that she is the woman of her life unlike her mother who knows the tumultuous sentimental life of her daughter.
Margaret and Ben take a weekend trip with longtime friends Ellie and Thomas and their two young children. Eventually, Ben begins to suspect something supernatural is occurring when the kids behave strangely after disappearing into the woods overnight.
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
While evil forces descend on Argentina, humanity’s best hope, a once-legendary shaman is confined to an insane asylum, powerless to avert the demonic resurrection.
Photographers Brooke Konrad and Tanner Behlman travel to rural, abandoned buildings to capture the inherent beauty of long-forgotten locations, but far from forgotten are the traumatic memories that surface in Brooke when they meet The Man Upstairs, an unsuspecting squatter. As tensions and uncertainties arise, Brooke must determine if this mysterious stranger will provide her the closure she so desperately seeks or let the fears of the past consume her.
Eric Shepard (Mike Stanley) continues his search for more answers involving the death of his brother and the mystery of the experimental drug called Doxital. His journey takes him on a haunting chain of events.
When Peter Plunkett’s Irish castle turned hotel is about to be repossesed, he decides to spice up the attraction a bit for the ‘Yanks’ by having his staff pretend to haunt the castle. The trouble begins when a busload of American tourists arrive – along with some real ghosts.
When Melanie and Phil ask their son Danny what he wants for his birthday, they are greeted with the response that every parent dreads: a dog. When Danny selects his dog from the local shelter he lovingly names her Shelly in honour of all sheltered dogs. Realising that Shelly has a talent, Danny decides to enter her in the illustrious Wiener Dog Nationals race. Only one thing stands in their way: Ms Merryweather and her champion dog Princess.
