The infinite playground of forbidden worlds and dangerous lifeforms offered by the sci-fi horror genre will lead to the biggest, maddest, bloodiest V/H/S ever.
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A demon (Succubus) wreaks havoc on a U.S city. Lilith, Adams first wife according to Jewish mysticism seeks revenge against all of God’s creation. God expelled Lilith from the Garden of Eden because of her refusal to obey Adam, the man. Scorned she returns present day with a vengeance against man and his offspring.
A modern loft reveals its past when new tenants arrive as this former slaughterhouse exposes the evilness still existing within the walls.
When a hateful, vitriolic basement dwelling podcaster goes viral, he garners an audience of violent sycophants and incensed enemies – and faces deadly backlash when he’s doxxed by activist hackers.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
A group of female freedom-fighters led by Karine Levere is caught by the warden of a women’s prison, located somwhere in the South American jungle. None of them will reveal the secrets of their organisation or the names of their collaborators in the cities, so they are handed over to Dr. Costa who, after four years inactivity in Europe, is delighted to be able to practice his torture techniques once more. Laverne fails to resist the inhuman treatments and reveals all. The only hope of saving the organization is for the girls to warn the city cell before it’s too late. They trick the prison guard into having sex with them, knock him out and break out of prison. The warden and Dr. Costa must prevent them from revealing the practices inside the prison. The hunt is on and it’s shoot to kill…
Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a fued involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel’s uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.
Samuel Peters (Edward Furlong), once an ordinary man, dabbles in the laws of voodoo to bring his wife back from the grave. He soon encounters the God of malevolence ‘Kalfu’ (Corey Feldman), and makes a pact with him to destroy the underworld and bring chaos to earth. In return, he will become ‘The Zombie King’ and walk the earth for eternity with his late wife. But, as the ever growing horde of zombies begins to completely wipe out a countryside town, the Government set-up a perimeter around the town and employ a shoot-on-sight policy. Trapped within the town, the locals, an unlikely bunch of misfits, must fight for their lives and unite in order to survive. Can our heroes unravel the clues in time and survive or will The Zombie King and his horde of zombies rise on the night of the dark moon?
What Nina saw in that building, in that basement, was too horrible to mention. Yet the people of the building really seemed to need to know what she saw – That’s how she disappeared. After 13 months her body is still missing and the general opinion is that she is dead. But when her sister Anna arrives in the city where Nina lived – with the hope and belief that her sister is still alive – the search for the truth behind the disappearance begins. That is when Anna’s nightmares start to get more and more meaningful, as if they want to tell her something about her sister’s mystery. And the more things are unraveled, the more it becomes clear that there are very dangerous forces involved. Forces that will do anything to keep the secrets concealed.
Doctors are baffled when an expectant mother wakes to find her nearly-to-term pregnancy apparently disappear overnight. Police investigate the situation as a missing child, and only her husband and brother trust her version of events.
Julia finds 300 million pesetas hidden in a dead man’s house while selling an apartment. She’s a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of neighbors), headed by an unscrupulous administrator. Black humor gives way to suspense, closely followed by horror that doesn’t take long in coming to a head in undisguised pandemonium.
