Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
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Sexually abused as a young girl, Kate “Ma” Barker (Shelley Winters) grows into a violently powerful woman by the 1930s. She lovingly dominates her grown sons, and grooms them into a pack of tough crooks. The boys include the cruel Herman (Don Stroud), who still shares a bed with Ma; Fred (Robert Walden), an ex-con who fell in love with a fellow prisoner; and Lloyd (Robert De Niro), who gets high on whatever’s handy. Together they form a deadly, bizarre family of Depression-era bandits.
Andula, an innocent Czech girl from a factory town, is desperately in search of love. She believes she’s found it when she beds Milda, a charming young musician visiting from Prague. Milda, however, is only looking for a casual encounter, and leaves town assuming he’ll never see Andula again. But when Andula doesn’t hear from him, she packs up and heads to Prague, to the surprise of Milda and his parents.
Best friends Patrick (Currie Graham) and Jamie (Ben Bass) are also cousins and cops determined to keep the streets safe and provide for their families. Their relationship suffers when they become entangled in a dangerous mix of mobsters, corruption, drugs and murder. As Jamie’s boss, Patrick often has to cover for him, but their roles are reversed when Patrick falls in with the wrong people. Natasha Henstridge co-stars as Patrick’s wife.
Young police chief Sandra Mohr returns to her hometown of Graz with a bad feeling. Together with her new boss, Sascha Bergmann, she is tasked with solving the death of a journalist who was planning to write an article on abuse of office and nepotism.
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Jilted on his wedding day, Laurent, a stage actor playing the role of the famous seducer Don Juan, cannot help but see his ex-fiancée in every women he meets. In an attempt to mend his broken heart and ego, he tries to seduce them all but none are receptive to his elaborate (and musical) advances. Meanwhile, at the theater, the leading lady quits and the production brings in Laurent’s ex-fiancée as the replacement.