Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
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Set in the Holy Land in the first century C.E., a young woman leaves her small fishing village and traditional family behind to join a radical new social movement. At its head is a charismatic leader, Jesus of Nazareth, who promises that the world is changing. Mary is searching for a new way of living, and an authenticity that is denied her by the rigid hierarchies of the day. As the notoriety of the group spread and more are drawn to follow Jesus’ inspirational message, Mary’s spiritual journey places her at the heart of a story that will lead to the capital city of Jerusalem, where she must confront the reality of Jesus’ destiny and her own place within it.
Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?
La Traviata, My Brothers and I tells the story of 14-year-old Nour (Maël Rouin-Berrandou), growing up in a housing project in the South of France, with his older brothers, who take turns caring for their ailing mother, who is in a coma. Nour dreams of becoming the new Luciano Pavarotti, inspired by La Traviata, an opera he knows well because his Italian father wooed his North African mother by singing its arias to her. Between his work in the community and rising tensions at home, Nour dreams of escaping to a faraway place. When he crosses paths with Sarah (Judith Chemla, A Woman’s Life, AF FFF17), an Opera singer teaching summer classes, he finally finds the opportunity to come out of his shell and explore new horizons.
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
Dr. Alvaro Cruz, a neuroscientist, disillusioned by the death of his mother and his inability to help her, finds redemption and reward by helping Una Vida, a jazz singer he discovers performing on the streets of New Orleans. Her health declining and her singing partner and her adopted daughter unable to help, Cruz seeks out her long lost son in an effort to bring resolution to the grief, loss and longing that has overshadowed her hard but beautiful life.
Awkward, isolated and disapproving of most of the people around her, a precocious 19-year-old genius is challenged to put her convictions to the test by venturing out on to the NYC dating scene, in this adaptation of Caren Lissner’s best-selling 2003 novel.
Difficult tale of poor, struggling South Carolinian mother & daughter, who each face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance. The film won an Emmy Award for “Outstanding Casting for a Miniseries or a Special” and was nominated for “Outstanding Directing for a Miniseries or a Special”, “Outstanding Supporting Actress in a Miniseries or a Special”, and “Outstanding Made for Television Movie”. It was screened in the Un Certain Regard section at the 1996 Cannes Film Festival.