The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country in ‘Urban Legends: Final Cut’, the suspenseful follow up to the smash hit ‘Urban Legend’. At Alpine University, someone is determined to win the best film award at any cost – even if it means eliminating the competition. No one is safe and everyone is a suspect. ‘Urban Legends: Final Cut’ is an edge-of-your-seat thriller that will keep you guessing until the shocking climax.
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Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the “Soap-Maker of Correggio”.
Depressed after the passing of his father, Dharamraj; as well as his gorgeous girlfriend ditching him, Mumbai-based businessman Aditya Kashyap takes a BEST bus, goes to Chatrapati Shivaji Train Terminus, and boards a train. This is where he meets Geet Kaur Dhillon, who is returning home to Bhatinda, and who pays for his ticket. At Bar Nagar, he decides to leave, but she follows him, missing her train. They manage to get a ride to Ratlam, miss the train again, but eventually make it to Bhatinda. Once there, he gets to meet her family; her pretty sister, Roop; as well as her to-be betrothed, Manjeet Singh Mann. Before the engagement could be finalized, she manages to convince her family that she wants to marry Aditya, and they welcome him with open arms. Before he could take stock of these new developments, she elopes with him – not to get married – but to re-locate to Manali – where her true love, Anshuman, is waiting, and who she hopes to get married to.
A man arrives in the city upon news of a potential terrorist strike in Italy. He is Japanese foreign diplomat, Kosaku Kuroda, and he’s here under orders of his supervisor at the Foreign Ministry, Hiroshi Kataoka (Kiichi Nakai), to aid in the safeguarding of Japanese citizens. Kuroda’s main contacts at the Japanese embassy consist of Ambassador Kikuhara, Counselor Nishino, and fellow diplomatic envoys Haba and Tanimoto. All are busy preparing for the visit of Japanese Foreign Minister Kawagoe due to arrive for the high-profile G8 foreign minister’s meeting. Meanwhile, somewhere on the festively-lit streets of the city, a young Japanese girl has suddenly gone missing. Is it an abduction simply for ransom? Or could it be a prelude to terror?
After the death of her family in an airplane crash on a flight that she was meant to be on, Stephanie Patrick discovers the crash was not an accident. She then seeks to uncover the truth by adapting the identity of an assassin to track down those responsible.
Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”
After being diagnosed with Dementia, an elderly war veteran is forced by his estranged family to hire a live-in nurse, only to find she harbors a sinister secret.
An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.
