A convert to Islam sends the U.S. government a tape showing him in three nondescript storage rooms, each of which may contain a nuclear bomb set to detonate in less than a week. Helen Brody, an FBI agent in L.A., is tasked with finding the bombs while a CIA “consultant”, known as H, interrogates the suspect who has allowed himself to be caught. The suspect, whose wife and children have left him and disappeared, seems to know exactly what the interrogation will entail. Even as H ratchets up the pressure, using torture over Brody’s objection, the suspect doesn’t crack. Should H do the unthinkable, and will Brody acquiesce? Is any Constitutional principle worth possible loss of life?
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On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it’s marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they’ve answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?
Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ranting at strangers, and meeting characters in plights very much like his own.
An agoraphobic psychologist and a female detective must work together to take down a serial killer who copies serial killers from the past.
Ray, a construction worker trapped in an unhappy marriage, pursues an affair with his neighbor, Carla. Carla’s husband, Greg, is a mobster who keeps large sums of drug money in their home. With this in mind, Carla comes up with a plan: She and Ray will steal Greg’s money, burn down her house, convince Greg the money was lost in the fire and then run away together. Carla’s scheme, however, doesn’t go off as planned.
A middle-aged woman follows letters from an unseen admirer into potential danger.
Hamlet captures the Almeida Theatre’s 2017 acclaimed production of William Shakespeare’s great play, recorded as-live in its West End transfer on the stage of London’s Harold Pinter Theatre. Robert Icke’s innovative modern-dress production, featuring Andrew Scott, Juliet Stevenson, Angus Wright and Jessica Brown Findlay, has been widely acclaimed as a dazzlingly intelligent, forcefully contemporary staging. The Evening Standard hailed Andrew Scott’s ‘career-defining performance… he makes the most famous speeches feel fresh and unpredictable.’
A normal summer morning in “Outstanding Pool House,” Shine is getting ready for school. Shine is a beautiful and chic girl, but there is a bit of melancholy in her face. Six months ago, her parents died in a terrible car accident and left her nothing beside this pool house. Now, Shine even needs to face the fact that she will be sent to a foster home if there is no one from the family that can come and take care of her. Feng, Shine’s uncle, an ex-expert in billiards knows this and decides to come home and takes care of his niece. However, Shine does not appreciate this since, first of all, she is not familiar with his uncle at all. Secondly, after losing everything for gambling, Feng drinks and smokes all day, and those are what Shine hates the most. All in all, how can these two people find the way to reconnect with each other through billiards? Moreover, how can they see the love that runs in their veins for making them the family?
Ahmed, son of Diana and Sheik Ahmed Ben Hassan, falls in love with Yasmin, a dancing girl who fronts her father’s gang of mountebanks. She and Ahmed meet secretly until one night when her father and the gang capture the son of the sheik, torture him, and hold him for ransom.
Jessica, a young, up-and-coming filmmaker in Hollywood has made a name for herself directing Christmas movies. But when handsome network executive Christopher shows up threatening to halt production on her latest movie, Jessica’s assistant, Reena, points out the irony: Jessica isn’t just trying to save her Christmas movie, she’s actually living in one. Jessica must now juggle all the classic tropes—her actors falling in and out of love, a wayward elf dog, and her own stirring romantic feelings for her perceived nemesis—in order to get her movie and her life to their happy endings.
Paul Miller (Paul Rudd – Friends, The Cider House Rules) has struggled as an actor in Hollywood for years, and now he’s had enough. But not just of show business-of life. In two days, he’s going to kill himself. But in true Hollywood style, he’s hired a film crew to chronicle his last moments and the events leading up to them; it’s the role of a lifetime. Often ironic and darkly comical, this is the story of a man searching for meaning and hope. This is the story of two days in the life of Paul Miller. The only question is, will they be his last?
Jonathan is a very lonely man. One day, he gets a visitor in his house: a young woman who, through a jarring turn of events, ends up dead. He does not report it because he is happy to have a friend, but now the body begins to decay.
Elli is an android and lives with a man she calls her father. Together they drift through the summer. During the day they swim in the pool and at night he takes her to bed. She shares his memories and anything else he programs her to recall. Memories that mean everything to him but nothing to her. Yet, one night she sets off into the woods following a fading echo… The story of a machine and the ghosts we all carry within us.