Kristen and her son Oliver have just moved into a gorgeous new neighborhood. Recently divorced, Kristen is anxious to help Oliver adjust to the new life and environment. They meet Justin, a handsome and intriguing ex-soccer star who wows Kristen with his good looks and fun-loving spirit. Despite warnings from her ex-husband Jason, she hires Justin as a caretaker for Oliver and offers to let him live in her guest house. But Kristen is being stalked by someone who knows she is new to the neighborhood. Strange and dangerous things begin happening and no one can be trusted. Did Kristen make a big mistake letting Justin into their lives? As an intricate web of lies and deceit unfolds, it’s up to Kristen to protect herself and her family (mylifetime.com).
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A heist film unlike any you’ve ever seen. In his second film (following his debut Finisterrae), Sergio Caballero plays fast and loose with all the laws of genre filmmaking. The ‘distance’ in the title is the ultimate MacGuffin – the term coined by Hitchcock for the thing the characters are pursuing, but which for the audience is completely meaningless. The fact that everyone communicates by telepathy enables Caballero to ‘speak’ a lingua franca made up of many different languages: from the Russian of the dwarves and the guard, to the German of the artist and the Chinese of the guard with the brazier.
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